Movie《Kuolleet lehdet》Plot introduction

The most popular movie recently - Kuolleet lehdet - is top-notch in terms of looks, acting skills and plot, and has attracted a large number of fans and audiences.What's even more exciting is that some hot topics in the play have aroused widespread discussion. Among them, the plot introduction of the movie-Kuolleet lehdet has made everyone full of curiosity and doubts.Let’s chat together today.

The film - Dead Leaves/Kuolleet lehdet - tells the story of two lonely people who meet by chance at night in Helsinki and try to find each other's first, only and final love in life.Their path to this goal is clouded by the men's alcoholism, lost phone numbers, not knowing each other's names or addresses, and life's tendency to throw obstacles in the way of those seeking happiness.

《Dead Leaves》 is a film about a love story that amidst the repetitive work in a factory, the audience can still dig out the sparkling love story among the dark gravel.

As in his previous works, Akiguolismaki is still the director who pays attention to the working class. Likewise, the huge economic monsters under urban development and even the atmosphere of contemporary world politics have all transformed into fate and disaster., surrounded by the working class.

The sound of the Ukrainian-Russian war is heard endlessly from the radio, and remote explosions and deaths slowly reveal the impact of war on groups, and how it penetrates into the common daily lives of small people - Aki Golysmaki in the boring repetitive life, orNot forgetting to show moral seriousness.

Women were laid off, men were laid off, women were laid off again, men were laid off again, work, layoffs, work, layoffs, repeated over and over again, then they met in a bar, fell in love at first sight, and then they made an appointment.In the cinema, then separated, and finally reunited.

A woman and a man in front of a movie theater, with their backs to a poster for David Lean's "The Dead Are Not Dead", they watched Jim Jarmusch's "The Dead Are Not Dead" and the movie wasThis narrative aroused enthusiastic responses from the audience.

"《The zombies are not dead yet》does it look good?"

"It's so beautiful!"

Akiguolismaki even wants to praise his old friend here, in the background, - Dead Leaves - a tribute to classic genres, movies, and even cinemas, which is almost too conspicuous to ignore, except for Jim JammuIn addition to Xu, Ozu Yasujiro, Robert Bresson and Charlie Chaplin appeared together with the autumn leaves. If I remember correctly, there was also Luchino Visconti's Roco.Brother 《, Jean-Luc Godard's 》 Pierre de l'Enfant 《.

Aki Golysmaki never hesitated to show his love for the masters, and among the piles of these masters, even in the shifting and resetting of past genre films, one can still see Aki Golysmaki’s laborClass is dignified, and these little people are tenacious.

They were laid off, then went to find jobs, they were laid off, then went to the movies, they were laid off, then made a reservation for each other in the movie theater - that iconic poker card in the Aki Golismaki filmThe face, rigid limbs, cold tones, and uninflected dialogue are all the best examples of the characters not being knocked down by the environment.And in "Withered Leaves", movies and movie theaters also helped a lot, so that the audience who loves movies and sits in the theater can't be moved.

As for Akiguolismaki, he never lets these unemployed laborers show their cowardice directly. There is no soap opera of crying, but the audience knows that they are in pain, and the alcoholic violence constantly reminds this.

So, how to free yourself from pain?Aki Golismaki's love is on the way.

Love can make people quit drinking, love can make people put on new clothes, love can make people full of hope, but love can also make people hit by trains - it is beautiful and dangerous, just like this working town,And this is Aki Golismaki's dark humor for traditional love movies.

Archi Golysmaki's "Withered Leaves" tells the world how the story of "working people" can be filmed. It does not need to fall into the trap of being exploited, and it does not need to be stared at indiscriminately by the middle class.It can be romantic, it can be gentle in being lifted up and put down gently, it can be a master movie full of humanism but not mediocre sentimentalism.

》Dead Leaves《It's great. The world's film industry is in an atmosphere where ideology comes first and people are eager to criticize society. But》Dead Leaves--they don't tell people what to do, and they don't prepare to preach. Aki GuoLismaki is a director who truly cares about his characters.

Perhaps, at this time, people don't need a "war politics" movie that directly faces war. What we need is a movie that praises people who can still truly care about each other and discover love despite war.

Exactly like this, Akiguolismaki is made of humor and romance. A woman wakes up when she kisses a man. This reactionary type of hero saving a beauty is a profound transformation of the traditional model, so that even if the character is covered with bruises and bruises, he can still beWalking with each other through the fallen leaves of autumn, holding a cane and holding a puppy, makes - Dead Leaves - a movie that the contemporary world really needs.

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