《The Story of Rose》Liu Yifei's multifaceted interpretation of an independent woman

——The Story of Rose《Liu Yifei's multi-faceted interpretation of an independent woman》is a topic of great concern to drama fans recently, because the drama has recently become popular on various short video apps, and I believe my friends have also seen a lot of it.There is a clip. Everyone is very enthusiastic about the issue of Liu Yifei's multi-faceted interpretation of an independent woman in the play - The Rose Story. Let's take a look.

Recently, the TV series "The Story of Rose" adapted from the novel of the same name by the famous writer Yi Shu was officially launched. Liu Yifei plays the independent woman Huang Yimei. The characters played by Tong Dawei and Peng Guanying in the drama have their own interesting points, and the drama is very popular.It rose rapidly and aroused heated discussions among the audience.

Women’s growth across 20 years

《The Story of Rose》 Based on the growth story and emotional journey of Huang Yimei (played by Liu Yifei) spanning more than 20 years as the main line, it deeply depicts the emotional life of the city.The original novel of the same name was written in 1981. From the perspective of four men, the novel shows the ups and downs of the heroine Huang Meigui's emotions and career.From a current perspective, the characters in Yi Shu's original work are somewhat stereotyped and stereotyped. The heroine obtains career and love by virtue of her beauty, but is repeatedly faced with choices due to her destiny.The TV series of the same name that was launched this time rationally adapted the original work. The yellow rose in the novel is named Huang Yimei in the play. The series not only retains the spiritual core of the original work - the growth of women's view of love, but also retains the geographical and characters.We have worked hard on setting and narrative details to adapt the novel to be more realistic and closer to real life.The whole drama focuses on many social phenomena and hot topics, with a warm and romantic realism creative style, and finds a reasonable starting point for the growth line outside of love.

In the play, Huang Yimei, who was born in a scholarly family, grew up in care and showed her artistic talent since she was a child.Huang Yimei, who had just entered the workplace, was quickly re-employed, and she met and fell in love with her partner Zhuang Guodong (played by Peng Guanying), but in the end they missed each other. This period of training in the workplace also made Huang Yimei have a clearer plan for her life, and she decided to return to school for further study..After graduation, she got married to her senior Fang Xiewen (played by Lin Gengxin).But after getting married, their development directions were very different, and they finally chose to divorce.Huang Yimei started her own business and carved a niche in the field of art curation. During this period, she also met her soul mate Fu Jiaming (played by Huo Jianhua), but Fu Jiaming only had a few months to live, and their love ended in life and death.To put an end to it.Huang Yimei is not depressed, she is still working hard to live a more exciting life as always.

《The Story of Roses》-several relationships, from the blooming years to the forties, show Huang Yimei's encounters and growth at different stages of life. The main line of the story focuses on the protagonist's process of self-exploration. This is a multi-faceted narrative of life., creating a female character that is rare on the screen and has more life experience.The series touches on many cross-sections of Huang Yimei's life, including her family of origin, love and marriage, and the workplace, showing her confusion, awakening, and transformation when she is at different ages and assumes different social identities, and ultimately forms a self-consistent reconciliation.

《The Story of Roses》is also supplemented by the diversified presentation of female group portraits such as Su Gengsheng, Jiang Xueqiong, and Bai Xiaohe, striving to break through the stereotype of flat portrayal of female characters and delve into the spiritual world of women themselves.In the play, Su Gengsheng continues to break free from the shackles under the influence of his native family and strives to break through, full of tenacity and vitality; Jiang Xueqiong is independent and capable, and her vigorous and vigorous work style allows her to gain a firm foothold in the workplace; Bai Xiaohe is cold and mysterious, showing a highly educated womanUnique bookish atmosphere and intellectual beauty.At present, the plot is still at the beginning stage. On the main line of the story, Huang Yimei's emotional choice has not yet begun. Important characters such as her soul mate Fu Jiaming and Fang Xiewen - who is married but not in love - have not appeared. The following story willHow it unfolds is worth looking forward to.

——The female image in Yishu Opera

Yi Shu's novels were mainly written from the 1970s to the 1990s, a time when Hong Kong's economy was taking off rapidly. At that time, more and more women entered society to participate in production. With economic independence, their social roles, marriage concepts, reproductive choices, etc.Yishu has created many impressive images of modern women with her unique and sensitive female touch.

Unlike Qiong Yao, Yi Shu is better at focusing on the self-growth and breakthroughs of urban women, aiming to show the difficult process of the growth of female subject consciousness. The confrontation between survival and dignity is a situation that Yi Shu's female characters often face.In recent years - My First Half of Life - The Golden Years - and other Yi Shu's works have been frequently put on the screen, which has also triggered discussions and thinking among the audience on how to define independent women.

In Yishu's drama, most of the urban white-collar women are beautiful and delicate. They have beautiful features, are generous and decent, well-dressed, calm and sober, calm and charming. Even if they are occasionally trapped, they can open up the situation and regain their lives., may not be free from the constraints and constraints of traditional and secular identities, but in terms of ability, they can be equal to men.Marriage is not the end of a perfect ending for women in Yishu drama, just like Luo Zijun in "The First Half of My Life", who enters marriage and is out again, and still has to face an unknown tomorrow; men are not the perfect ending for women in Yishu dramaThe end of a perfect ending is just like Zhu Suosuo in "Golden Years". Her husband is a mama's boy and has no responsibility. Suosuo still needs Suosuo's help when her husband's family goes bankrupt; not even money - Yishu drama“The end of a perfect ending for women is just like Jiang Xibao in Xibao who made a devil's deal with her youth and freedom, but lost the meaning of life in exchange for glory and wealth.Behind this imperfect reality is the bizarre modern society.

Although love in Yishu dramas is often unstable and disappointing, the good news is that the heroines are always accompanied by unbreakable friendship.Whether mother and daughter, colleagues, or close friends, they can encourage and support each other, and go through glory and loneliness together.For example - in the first half of my life - Tang Jing gave great care and help to Zijun when he was frustrated. She was calm and restrained, and treated Zijun sincerely, but she did not want to be a bad person, she just wanted to make Zijun have self-respect.Self-improvement; another example is Jiang Nansun and Zhu Suosuo in "Golden Years". When Nansun encountered a family tragedy, Suosuo stepped forward without hesitation to clean up the mess and help Jiang's family survive the crisis. But when Suosuo became destitute, Nansun alsoThey stood up as soon as possible to provide the help they could. After years of baptism, the friendship between them not only did not weaken, but became stronger.

Huang Yimei in "The Story of Roses" has a strong legendary color. She does not need to be humble and subordinate to men. She only needs to stay in one place to capture the hearts of men. Her beauty is fluid and calledOne can’t help but look at it again and again”.Huang Yimei never puts love and some material form at both ends of the scale. Her love can be said to be pure.Huang Yimei's choice transcends the constraints of social reason and is random, so she has no scruples even if it sometimes hurts others.The acquaintance, love, and separation between her and Zhuang Guodong were so rapid that love, hate, crying, and laughter all came from nature. They were together and separated gracefully.

The above is a comprehensive introduction to - The Story of Rose - Liu Yifei's multi-faceted interpretation of an independent woman. I hope this article can be helpful to you.In the future, the editor will continue to work hard to bring you more articles about film and television information.We will continue to pay attention to the latest developments and topics in this field and present you with detailed and rich content.Please stay tuned for the follow-up content of our dialogue course!