How the screenwriter of 《Fu Yuan》 handles the balance between history and fiction

《Fu Yu'an》has attracted a lot of viewers and fans since it first aired. They all want to know how the screenwriter of "Fu Yu'an《" handles the balance between history and fiction. The following is the editor's carefully compiled for everyone.How does the screenwriter of 》Fu Yuan-- handle the balance between history and fiction? Come and see if there is anything you want to know.

《Fu Yu'an》As a costume light comedy, its screenwriter obviously focuses more on creating a relaxed and enjoyable narrative environment that is free from the constraints of reality when dealing with the balance between history and fiction.Although the series is set in an ancient setting, it does not strictly follow historical facts. Instead, it focuses on fictional plots and characters, attracting audiences through humor and romantic love stories.The following points can summarize the screenwriter's strategy when balancing history and fiction:

The screenwriter may have selected certain historical elements as the shell of the story, such as the ancient marriage system, the palace environment, etc., but these are more of a stage for the story to take place rather than a strict historical reproduction.

The plot designs in the play, such as Croft's settings, prank plots, etc., are obviously fictional and exaggerated, designed to increase drama and entertainment rather than historical authenticity.These elements move away from historical rigor and are more in line with the style of light comedy.

When dealing with specific historical details, the screenwriter may not have done in-depth research. For example, the modern interpretation of ancient customs in the play ignored the true logic of the historical background, such as the plot of leaving the door open when taking a shower, which was unlikely to happen in ancient society.

The protagonists and main plots are almost entirely fictional, and they do not correspond to real historical figures or events, which gives the screenwriter greater freedom to weave the story without being bound by history.

In order to accommodate a broad audience, cultural and social contexts may be simplified or mixed, rather than being strictly limited to a specific historical period, thereby avoiding getting bogged down in the complexity of historical details.

Considering the general level of historical knowledge of the target audience, the screenwriter may focus more on the interest and emotional resonance of the story rather than the historical educational value to ensure that the story is attractive to modern audiences.

The above is an analysis of how the screenwriter of Fu Yu'an handles the balance between history and fiction. I believe it will also relieve some friends' doubts.If you think it is very good, we strongly recommend that you continue to pay attention to the line class.There will be other more exciting content in the future.