iQiyi Autumn Festival held time

Recently, discussions on the time for the iQiyi Autumn Festival have been ongoing.Regarding this topic, the public also cares about aspects such as plot setting, actor performance, special effects production, etc.Based on these editors, I will conduct in-depth discussions with you and show the essence of this drama.

iQiyi tentatively holds an autumn joy meeting on September 25

With the continuous improvement of technical capabilities such as AI, the distribution methods of content that used to rely on manual editing and algorithm recommendations have also changed.Gong Yu judged that the current development trend of AI“ large model” agents is to deeply understand content and user needs, promote strong interaction between users and machines, and provide users with emotional companionship.Gong Yu revealed that iQiyi Intelligent Assistant “ Taodou 2.0” is under development. The tool integrates large language model technology and integrates scenario functions such as recommendation, search, and customer service, and is committed to providing users with a “what you want, what you get.Currently, in the iQiyi APP, users can chat and interact with virtual characters through ”Taodou 1.0“.

At the same time, the interest of mainland dramas in overseas markets has continued to rise.Google search data shows that search attention for mainland dramas continues to rise, and has surpassed Korean dramas recently.According to AMPD's first quarter data in 2024, in the Southeast Asian market, the popularity and market share of mainland dramas have also surpassed Korean dramas, becoming the first choice entertainment content for local users.Gong Yu said that the value of mainland content in overseas marketing has been significantly improved, and content creators are worth starting to invest their energy and focus on doing some content for overseas markets.” Currently, half of iQiyi's overseas content is mainland content; secondly, Thai dramas, Japanese and Korean content, which constitute cross-regional popular content; and pure overseas local content such as Malay dramas, which mainly serve local users.

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