Movie《Saltburn》Ending Analysis

The recently broadcast - Saltburn - is very popular. A topic that everyone has been paying close attention to recently is the analysis of the ending of the movie - Saltburn. Everyone is very eager to know more related information.Therefore, the editor specially brings you some detailed analysis of the ending of the movie Saltburn today, hoping to satisfy everyone's curiosity on this topic.

Movie - Saltburn - Ending: Oliver dances naked in the manor.

Director Emerald Fennell explained that Oliver's nude dance at the end of Saltbourne was an act that marked the estate as his and confirmed him as the film's protagonist.The choice of Sophie Ellis Best's song Murder on the dancefloor in the final moments of Saltburn perfectly encapsulates Oliver's goals and intentions throughout the film.

The 2023 dark comedy thriller, also written and produced by Fennell, stars Barry Keoghan alongside Jacob Elordi, Alison Oliver, Archie Madekwe, Rosamund Pike and Richard E.Grant co-stars.Saltburn tells the story of Oxford student Oliver (Keoghan) who befriends wealthy classmate Felix (Elordi) and spends a summer at the latter's home, where the story evolves intoA story of obsession and betrayal.

Fennell recounts the deeper meaning of the moment in the finale of Saltburn, when Oliver dances naked around the titular manor, displacing Felix's entire family.Fennell said the purpose of this moment was to confirm Oliver as the film's protagonist, describing the dance as an act of marking the estate as his and hopefully reassuring the audience that they were on the right side of the character.Check out Fennell's full explanation below:

Restraint is an interesting idea because in the end [spoilers ahead], Oliver doesn't have it.In one shoot, the camera follows him as he dances naked alone in Saltburn's hall.How did you come up with that image?This movie is a fairy tale.I've never really created something that didn't exist.The way it's shot makes us feel that.For those who are still wondering if they should be on Oliver's side or if he's our hero, the ending needs to have so much triumph, so much wicked joy.It must be an act of territorial capture, profanity and joy, but of course, it ends in loneliness.My focus is on making the audience complicit, making them laugh when they shouldn't, making them squirm or feel mixed feelings.So there needs to be something at the end where you can't help but side with Oliver.

It's a credit to Barry's great work in that scene - and to everyone's great work - because very few people left the movie or came up to me afterwards and said: “Oh, I hope he gets his comeuppance!” [They’re] like, “ go get it.” This is what I want.I want everyone to leave [the cinema] and be like [sucks in breath], “ah.oh.

Olivier's goals in Saltburn are perfectly realized in the final moments, not only through its visual choices, but also through its soundtrack.Olivier's triumphant song by Sophie Ellis-Best - Murder on the Dance Floor - can be read as a summary of his goals, as the song's lyrics tell of a person setting her sights on what she considers a possible romantic partnerstory."Player ” during the wild party.Therefore, the lyrics could easily be applied to Oliver's feelings for Felix.

However, just as later events at Saltburn revealed ulterior motives and a larger plan behind Oliver's actions, the lyrics to "Murder on the Dance Floor" further emphasize the scope of his plans.The song sums up Oliver's efforts to seize his home and fortune between two lines about not letting his target “escape” and “burning the damn house” down.Thus, Oliver's last dance not only demonstrates his firm claim to this home as his, but also subtly pays homage to his entire plan.

With its bouncy pop numbers, impressive one-shot shots and Keoghan's overall look, Saltburn's ending makes an impact.While Oliver's plans and dastardly machinations may be morally wrong, Fennell hopes to keep viewers on Keoghan's character's side no matter what, and she does so with a triumphant ending.With the scene generating a lot of discussion, Fennell seems to have achieved exactly what she set out to do, and her film and its complex protagonist remain in viewers' minds long after the closing credits roll.

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