Movie《Der Fuchs》Plot introduction

Recently - Der Fuchs - has become one of the most discussed topics in the film and television industry, because its TV series has attracted a large number of fans and viewers.What's even more exciting is that some hot topics in the play have aroused widespread discussion. Among them, the plot introduction of the movie - Der Fuchs - has made everyone full of curiosity and doubts.Let’s chat together today.

The film - Der Fuchs - tells the true story of Adrian's great-grandfather, Franz Streberg, who was a motorcycle courier in the Austrian Army during the Anschluss.——When he was incorporated into the National Defense Force.At the start of World War II, the introverted young soldier encounters a wounded fox cub, whom he cares for like his own child and takes it with him to occupied France.

Movie《The Little Fox in War》Director Interview

Reporter-Q

Director Adrian Goijinger-A

Q: This movie takes place in the Pinzgau region of western Austria in the 1920s.How do you and your great-grandfather feel about living in the mountains, surrounded by the majestic beauty of nature, but lacking the material resources of life?

A: The beauty there was breathtaking, especially in the 1920s, before tourism really took off.But at the same time, the villages there were once very poor, so poor that you can't even imagine, although today they are the richest villages in Austria.In the past, residents there died of famine and their children were often sent away as a result.For people who live in the mountains, suffering and joy are always closely linked, which is something that fascinates me.My great-grandfather, Franz Streberg, was never a good climber. For him, climbing was a waste of time. But he lived in the Pinzgau area until his death. That was hisTwo weeks before his one hundredth birthday.So, I think he loved the mountains very much.

Q: Did your great-grandfather ever mention his war experiences?When did you hear this story about the fox?

A: Franz almost never mentioned the war with his children, but he did talk some with his great-granddaughter.Later, he opened up to me and I became very interested.Over the years, he shared with me all his memories of the war.The first time he told me about his little fox was when I was a teenager.I knew then that I had to make a film about this story, even though I was only fourteen at the time.Later, I brought a tape recorder to interview him again and again, never stopping until his death.I tried to learn as much as possible about his life and experiences.

Q: When you were a child, your parents sent you away to others for your own good. What impact do you think this has on a person?

A: When your parents give you away to a stranger when you are seven years old, I think it doesn’t matter what the reason is. The trauma is lifelong.I wonder if my great-grandfather forgave his biological parents for this matter.Once, when he was already quite old, he was driving by the farm where he had worked as a young man. He suddenly became angry and lost his temper at the farmer who had treated him badly.

Q: The film’s cinematic language skillfully conveys Franz’s sense of confinement and claustrophobia in the army.How is this achieved?

A: That was exactly what we had in mind from the beginning - with cinematographers Yossi Emara and Paul Sbrinz - to capture a very strong perspective, something along the lines of - Son of Saul -In Son of Saul, the audience will discover the world along with the protagonist.In the turbulent historical background of the film, this form of expression is very suitable. In addition, it also fully reflects the inner world of Franz, who is an introverted and lonely person.

Q: Franz naturally joined the Wehrmacht, the armed force of Nazi Germany, but in the movie we barely see the atrocities committed by the Wehrmacht.What were the considerations behind this decision?

A: The horror of war can be shown in many ways, especially in the various situations that lead to the outbreak of war.For me, shedding light on the interwar period is crucial, but it’s a period that isn’t told much.How did Hitler come to power overnight?Why did 99.73% of Austrians vote for annexing their country?My years of research show that at that time, most people were apolitical.One of the main reasons is that Austrians are more concerned about their food and clothing and how they can survive the cold winter.And at its core, The Little Fox in Fire - to me is not a war movie, it's really a movie about a young man who learns through his connection with a small animal thatto forgive his father.As fate would have it, this story takes place during World War II.

Q: Both Little Foxes in War and your first feature film The Best of All Worlds are about difficult childhoods.To what extent is 《 Little Fox in Fire 》 based on 《 the best world possible?How are these two movies different?

A: The two films have different origins, so I wouldn't say they build on each other.Coincidentally, both stories—my own and my great-grandfather’s—run in my family.One notable difference in content is, of course, the period in which the films are set, and their time span.》The Best World《happens in just a few months, while》The Little Fox at War《tells the story over twenty years, spanning almost an entire generation.

Q: The fox is an animal that, in a fascinating but confusing way, combines qualities of both a dog and a cat.How did you feel about filming a movie with a fox?

A: It was clear to us from the beginning, even before financing for the film was secured, that shooting a feature-length film with real foxes would be extremely challenging.For me, special effects foxes were never an option.That's why we start preparations very early with animal trainer Herbert Pecher.Starring Simon Morz, for example, was involved in raising adult foxes a year before filming began.On set, we had animal trainers Franzer Luchter and Herbert Pech working with us.We have three fox cubs and two trained adult foxes.Where possible, we worked with a small team on set so the foxes weren't distracted or had any interruptions.

Q: The aspect ratio of the movie is 4:3. In this aspect ratio, what content can you capture or present better?

A: After careful consideration, I thought it was a logical decision to shoot the film in 4:3.Because this format is historically accurate.I checked dozens of hours of World War II archives, and all of them were in 4:3 format.In addition, this kind of painting also presents the sense of claustrophobia and confinement in Franz's life and heart.

Q: 》The Best World《is based on your personal story, 》The Little Fox at War--is based on members of your family.Are you more interested in the stories of your family or the stories of your friends?

A: True stories have always had a special appeal to me because you can dig deep into them and interview people who have experienced them firsthand or indirectly.But right now, I feel like I’ve finished telling the story about my family, but who knows what the future holds.

The above is all about the plot introduction of the movie - Der Fuchs.If you are interested in this film and television drama and want to know more information, we sincerely invite you to continue to pay attention to the latest developments in the line class.In the future, we will provide you with more detailed plot analysis, rich character introductions and more background stories.