Recently - Porco Rosso - has attracted a lot of attention, and it has caused huge popularity after it was broadcast.I believe that when you use social platforms on a daily basis, you must have seen a lot of information and plot analysis related to this drama.Therefore, in order to give everyone a more comprehensive and in-depth understanding of this drama, today we specially compiled the following content on the topic of what Miyazaki Hayao - Porco Rosso - expresses.
I still remember that Hayao Miyazaki himself mentioned it in an interview in the early years. He said that especially when he was making this film, he was almost 50 years old like Bo Ge.He himself joked that this was his own willfulness.
From 1984 to 1990, Hayao Miyazaki's comics - Hayao Miyazaki's Notes - were serialized in the model magazine - Model Graphix.There are only 13 chapters in this work, which mainly cover the themes of military weapons and war stories, including descriptions of aircraft, warships, tanks, etc. The central idea is mostly reflections and accusations on war, Miyazaki Hayao's reactionThe idea of war can be seen in it.《Porco Rosso》is adapted from Chapter 12《The Age of Airships》-Miyazaki Hayao's Notes.
In reality, we can see from the available information that director Hayao Miyazaki himself is such a person.He rarely appears in the Japanese industry, and his more formal public appearance was a memorial concert for Hisaishi Joe.During the concert, the two sat in the most conspicuous position in the middle. During the concert, Hayao Miyazaki went up to give flowers to Hisaishi Joe.
Among Hayao Miyazaki's many animated works with boys and girls as the protagonists, the character of Porco Rosso is undoubtedly very unique: a middle-aged fat pilot and a self-exiled former war hero.It is one of the few films in Hayao Miyazaki's works in which a male is the protagonist, and he is also a middle-aged man. This is unique among Hayao Miyazaki's works.
And it is not exclusive to middle-aged audiences at all.《Porco Rosso》 is a film for everyone, with magical realism. It contains many artistic techniques before and after, making the film watchable.
Within the first ten minutes of the film, a wonderful scene is shown where Pollock fights the sky pirates to rescue the little girls. This scene fully reflects Hayao Miyazaki's ability to draw airplanes. The red Flying Eagle is flying in Europe.The skies over towns and blue oceans fly smoothly between heaven and earth. The battle scenes are not cruel but extremely romantic. The elegant and passionate air battle is like a dance of airplanes.
Whether it's the hostage rescue at the beginning, the repair of the plane, or Poluk's flying competition, the rhythm of the film is light and warm. The sky pirate alliance that appears again and again seems dangerous, but in fact it is cute. Even if it shouts to fight and kill,I will still scratch my head in embarrassment when being lectured by a beautiful and brave girl.Even if the bullets are flying in the air race, not a single bullet will hit anyone. When the bullets run out, things will be thrown in the air and chickens will peck at each other... The danger never comes from within the people.
At first, in your own heart, you may feel that you are a pig.In fact, the pig is a metaphor. When a person reaches middle age, he feels like a pig, bloated, sometimes even sloppy and lazy.
“What is the difference between war and bounties?”The boy asked this, and the boss replied: “Those who use war to make money are bad people, and those who cannot earn bounties are just incompetent.”The real bad guys appear in Porco Rosso as the fascist secret police and army. This is almost the only cold tone in the film, and it is also an old illness in Poluk's heart.Italy, still under fascism, is the hometown that Poluc wants to escape from. The trauma of the past war and the lost comrades are the past that he does not want to face.“If he wants me to join the fascists, I would rather turn into a pig” and become his last insistence.
The theme of "Porco Rosso" is certainly not male consciousness. In addition, in works that serve male consciousness, the existence of female characters is to love men, compete for men, and be absolutely protected by men. They do not need self-worth.and self-awareness, while Phil and Gina in Porco Rosso have their own life value and self-pursuit. Their beauty exists independently of Pollock. Their value is not defined by Pollock. Their friendshipNor is it defined by Pollock.
The above is all about what Miyazaki Hayao - Porco Rosso - expressed. If you want to know more about the plot introduction, plot analysis and character analysis, you are very welcome to pay attention to the line class.
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