《Escape from the British Museum》Telling about Chinese cultural relics

What I would like to recommend to you today is also a movie - Escape from the British Museum -. The actors in this drama are also quite good in appearance and acting skills, especially - Escape from the British Museum - which talks about Chinese cultural relics. I believe you all have the same idea about this topic.Full of doubts, let the editor take you to take a look.I hope those who have read this will like this article.

《Escape from the British Museum》Telling about Chinese cultural relics

The micro-short drama - Escape from the British Museum - quickly became a hit and sparked heated discussions after it went online.The play uses the unique method of anthropomorphizing cultural relics to tell the story of a jade pot that escaped from the British Museum and met a Chinese reporter on the streets of England, seeking help and wanting to return to its homeland.The short play gives the cultural relics people the emotions and voices, bringing the cultural relics lost overseas into the public eye again.

In fact, this is not the first time that related topics have caused widespread resonance in society.From the launch of the National Treasures series by CCTV in 2017, to the premiere of If National Treasures Can Talk in 2018, and then to more and more cultural variety shows, special themed evenings, etc., these once felt quite distant from the public.The history and culture of China are entering people's lives.In addition, the rise of self-media and short video platforms in recent years has provided the necessary foundation for the popularity of Escape from the British Museum.New media forms have made the audience broader and younger. A short and concise video of a few minutes is both rich in connotation and easy to accept, allowing young people who are far away from the war years to be immersed in the scene and arouse empathy.

Of course, the success of this micro-short drama is inseparable from the dedication of the creative team.The novel script, the appropriate service style, the unique photography and editing, and the character creation of Yiyuhu and Youzi all embody the efforts of the creators.

The most touching thing is still its emotional core.%If people miss each other, they will miss each other, and they will eventually meet. This is the wish that is deeply buried in the hearts of many people.《Escape from the British Museum》It is through the innovative expression technique of personification of cultural relics that this emotional bond is projected onto history and cultural relics, making them more vivid and vivid.The jade pot is displaced and the wanderer is wandering, which brings out the grand and profound feelings of home and country from point to point, thus arousing deep emotional resonance in the audience.

《Escape from the British Museum》Relying on new media and new forms, it expresses true emotions and great feelings.Although it cannot be called perfect, it is indeed a remarkable attempt, and it also makes the history of the country and the country more accessible to the ears and the heart.

After Escape from the British Museum became popular, many works inspired by Chinese cultural relics in the British Museum emerged on the short video platform.

Due to the low threshold characteristics of the short video platform and the varying levels of producers, the quality of the works appearing on this topic varies from good to bad.Some bloggers even mistook the British cultural relics in the British Museum for Chinese cultural relics and issued an appeal to "please return them free of charge".This kind of oolong is not only ridiculous, but also makes us realize that there are still many people in society who do not have a clear understanding of the historical understanding of cultural relics lost overseas.

Since the Opium War, more than 10 million Chinese cultural relics have been dispersed out of the country due to war, unfair trade and other reasons.Today, there are more than 1.67 million Chinese cultural relics collected in museums around the world.Among them, there are more than 23,000 Chinese cultural relics in the British Museum, including Tang Dynasty copies of Gu Kaizhi's "Nv Shi Zhen Tu", Liao three-color Arhat statues, Shang and Zhou bronzes, Wei and Jin stone Buddhist scriptures and other extremely precious national treasures.Its collection is so large that it covers almost all art categories and spans the entire history of China.

However, the British Museum claims that these cultural relics were obtained through legitimate means. Behind such high-sounding remarks are the crazy plundering of the Old Summer Palace by the British and French forces after they captured Beijing, as well as the sale of stolen goods by tomb robbers and the smuggling and reselling of cultural relics.It can be said that behind the splendor of the British Museum is written the tears and pain of China’s past.

In August this year, Osborne, chairman of the British Museum Council, confirmed that approximately 2,000 items from the museum's collection were missing.At the same time, the director and deputy director of the British Museum resigned one after another.This incident pushed public opinion to a climax.Suddenly, the entry #PleaseBritishMuseumReturnChinese Cultural Relics Free of Charge# became the top trending topic on Weibo.However, due to the influence of history and reality, the journey of returning the British Museum cultural relics home is destined to be bumpy and difficult.

The dilemma of the lack of effective binding force of international laws, the difficulty in obtaining evidence caused by the illegal export of cultural relics, and various obstructions from relevant countries are all obstacles that hinder the return of cultural relics lost overseas.Faced with numerous difficulties, China has never stopped pursuing cultural relics lost overseas.Since 1949, our country has successfully recovered 150,000 lost cultural relics.At the end of August this year, Switzerland returned five lost cultural relics and artworks to China.

China is not alone. After the theft of cultural relics from the British Museum, waves of loud protests swept across the world.Countries of origin of cultural relics have stepped up their efforts to recover lost cultural relics.It was against this background that the trailer for Escape from the British Museum was released, which attracted a lot of attention.

Cultural relics are silent, but history is deafening.In the long history of China, cultural relics mark the mark of civilization. They should not just be dusty antiques, but should also become the kindling that awakens people's historical memory.The common memories of the Chinese nation are cast in cultural relics, and the common wisdom of the Chinese people is poured into cultural relics.Because of this, we should work tirelessly to protect cultural relics and inherit cultural heritage, so that cultural relics living overseas can return home as soon as possible.

Use “ traffic” to water the flowers of cultural value inheritance

Although the phenomenal popularity of "Escape from the British Museum" is attributed to “ of the right time, place and people, through analysis and thinking, we can still get a glimpse of the core code of its popularity: 《Escape from the British Museum》Even if the size isIt is small, but with its complete plot, full emotions, profound themes and lofty intentions, it still arouses widespread emotional resonance among the audience and provides a model for more in-depth and valuable literary and artistic works.

It can be seen that hot topics are only one of the reasons for the success of Escape from the British Museum. Good literary and artistic works focus on the spiritual core behind the form.The success of the play tells us that only by daring to pioneer and innovate, listening to the voices of the people, responding to the demands of the times, and being full of family and country sentiments can literary and artistic works become classics.

We should also understand that it was us, the general public, who made our own choice - Escape from the British Museum - in the highly homogeneous video field, rather than algorithms and big data choosing us.Regarding the videos that followed the trend, some comments pointedly pointed out that the real target of the voice should be the British Museum rather than the domestic video platform audience. The voice should not stop at self-pleasure, but should attract overseas attention like the show.

All of the above are important symptoms of the awakening of autonomous consciousness among Internet citizens.Awareness of autonomy not only means being more autonomous in speaking out and expressing, selecting and judging, but also being more autonomous in assuming the responsibility of cultural inheritance.While creators are given more freedom to create, they should also shoulder more arduous and important social responsibilities and missions of the times.In order to produce truly high-quality content, the two main creators of Escape from the British Museum chose to stop updating for three months between fast traffic and high quality, which fully reflects the consciousness and responsibility of self-media creators., won a round of applause.

In a more long-term sense, Escape from the British Museum not only provides creators with a successful example of small-scale literary and artistic works, but also makes everyone pay more attention to the issue of overseas cultural relics returning home, and can useTake practical actions and consciously contribute to the cause of bringing cultural relics home.We also sincerely hope that in this era, more creators can use their intelligence, use their brains, broaden their horizons (Lu Xun said), take responsibility, and launch more high-quality and in-depth works.Only by integrating the original creative intentions of literary and artistic creators with the enthusiastic attention of ”online citizens% into the current of the times can a bright and splendid flower of cultural value inheritance be watered.

The above is some information compiled by the editor for you - Escape from the British Museum - about Chinese cultural relics. I believe that in the subsequent plot and character relationships, the audience will still encounter some things that they do not understand., so pay attention to the line class, we will continue to bring you more exciting content.