《Mo Yuyunjian》the characters come first, the story comes to fruition--

The broadcast of "Mo Yuyunjian" has aroused great interest from the audience. Whether it is the storyline or the acting skills of the characters, people are immersed in it. Especially recently about the drama "Mo Yuyunjian" - the characters first,Story-landing-is the most discussed topic on the Internet now. The editor will talk about this topic below.

“What are those people afraid of? Afraid of you living, afraid of you and me living with clear eyes and ears”.That day, Xue Fangfei was slandered, buried alive by her husband and fell into the abyss of life. Jiang Li told her that life was more important than anything else. Jiang Li understood her pain and helped her rekindle hope.“Living is the most important thing”, these two words in ups and downs express the tenacity and unyielding vitality of the two women, and also explain that the most precious qualities in this world are kindness and justice.

Recently, the national anti-stress drama - Mo Yuyunjian - was launched on Youku High Energy. The drama is directed by Lu Haojiji, Bai Yunmo, and Ma Shishi, and stars Wu Jinyan, Wang Xingyue, and Chen Xinhai.It tells the story of Xue Fangfei, the county magistrate's daughter with a good family and a happy life. She lost everything after a huge change. Under the entrustment of her savior, Jiang Li, the daughter of Zhongshu Ling, she returned to the capital as Jiang Li and met Su Guogong Xiao Heng and others.With the help of others, he overcame many difficulties and dangers, continued to work hard to fight injustice, and finally rescued his father who was accidentally imprisoned, and helped Xiao Heng uphold justice and protect the common people.

“Revenge”Under the shell, the rare thing is that - Mo Yuyunjian - chose the method of - characters first -. In the play, there are many positive and negative female characters with different personalities, mainly Xue Fangfei., all have complete and intriguing story lines.In addition to the protagonist, the supporting characters have also abandoned the NPC feeling, and refined the diversity of female characters, showing a vigorous and energetic vitality, interpreting the general trend of the ancient costume track to go out of the single-faceted portrayal, and firmlyA creative methodology based on characters.

Survive the desperate situation and make a comeback

The popularity of stories continues to rise

At the beginning of this month, the national anti-stress drama - Mo Yuyunjian - produced by Youku and co-produced by Dongyang Xiangyu Culture Media Co., Ltd. and Wuhan Tuoruo Film and Television Culture Media Co., Ltd., was exclusively broadcast on Youku.Upon its launch, the drama ranked No. 1 on the first day of broadcasting of new dramas in 2024, and also became the most popular drama on the first day of broadcasting on Youku in 2024; Lighthouse data shows that the drama was far ahead in the number of views of the Lighthouse feature film on the first day of broadcast, and related topics# Moyuyunjian# #武金言 Audience Yuan and others set off a wave of discussion on major social platforms, and the popularity continued to ferment. It only took less than 3 days from the launch to the popularity to reach 10,000. This speed also set a record for Youku’s fastest breakthrough this year.Thousands of episodes recorded.

Under the high fever, as a national drama to relieve stress, where does the sense of relief in - Mo Yu Yun Jian - come from, and how does it attract the audience's attention?

Let’s look at the key word in the narrative—survival from desperate situations—.Xue Fangfei was killed and Jiang Li rescued her. This was a life-level rescue. Wild fruits, clean water and fire for heating allowed Xue Fangfei to survive; Jiang Li, who suffered countless hardships, passed away and combined with her ownThe situation made Xue Fangfei lament the unfairness of fate. This was a spiritual awakening. Xue Fangfei decided to take over Jiang Li's identity, designed to escape from the Virgin Hall and return to the Jiang family to implement a comeback plan.

Initially, Shen Yurong asked to marry Xue Fangfei, the daughter of the county magistrate, because she had been with him for many years when she was an unknown person, and she did all kinds of unkind and unjust things after gaining fame in the capital. Behind this layer of foreshadowing was Xue Fangfei's good intentions andA brave character who believes in true love.Some netizens commented: - When Xue Fangfei's eyes were red from crying, she didn't feel fragile. Instead, she felt like fire was burning in her eyes.“Thinking about it, it was precisely because she had experienced the betrayal of her loved ones, experienced all kinds of humiliation, and witnessed all kinds of pain and injustice suffered by Jiang Li that Xue Fangfei completed a completely reborn transformation after regaining her new life..The tears are saying goodbye to everything in the past, and they are also determined to take back the life that should belong to her and Jiang Li.

Detailed description of female characters

Dramatic conflict salvages what audiences love - the gray area -

In order to get rid of the barriers of homogeneity and typing of costume dramas, - Mo Yuyunjian - found a new way to find a new narrative methodology.The high popularity it has received since its launch starts with the character memory points and diversified narratives.What’s even more rare is that we noticed that even if all the characters in the story are stripped of the so-called filters and halos, we can still see a group of vivid characters living a good life.There is no - Silly Baitian - the heroine gets into great trouble, and there is no overlord hero to save the beauty. The whole story uses the expression technique of promoting desire first to suppress, first bringing Xue Fangfei's situation to the bottom, and then pushing her against Jiang.In Li's life after returning home, she faced the difficulties faced by her stepmother and made things light and happy. She is well-organized, tolerant, and knows how to advance and retreat, which makes the whole drama more relaxed in addition to the sense of revenge.

The content of film and television dramas is a mirror that reflects the emotions of the times. In recent years, works about women have focused on emotional conflicts, starting from marriage relationships and self-consciousness. They are also very popular because they hit the emotional pain points of the audience. For - Mo YuClouds - this kind of ancient costume works that imply the rules of realism creation are naturally no exception.We often say that characters come first, and characters serve the story. However, most of the time, we follow the logic of supporting characters serving the protagonist.This time, - Mo Yuyunjian - used detailed descriptions of many female characters, allowing the industry to see more intriguing gray areas behind the black and white of good and bad characters.

In the play, Princess Wanning was so crazy and bold that Xue Fangfei almost died, but she still insisted on providing equal opportunities for women to take the annual exam.She is the one who is dignified and domineering, and she is also the one who is sober and sinking. Many netizens even said that they envied Princess Wanning's self-consistency and lack of internal friction. When she saw clearly that Shen Yurong had the desire to climb up to the dragon and follow the phoenix, she established for herself - a deep loverAssuming”, in fact, there is ridicule in his eyes.

The stepmother Ji Shuran is vicious and sinister, but it also allows more people to see a woman and realize that she is a tool used by her father to cling to the powerful, and they feel disappointed and sober inside.She had to weigh the pros and cons and force herself to live a better life by any means necessary. In Ji Shuran's conversation with her father, what was revealed was her brave resistance and self-awareness as a woman. Faced with her father's push and step, her life was not as good as hers.My sister directly pointed out that - the confidence at home is my face outside - which made people feel slightly changed.

Underneath Tong'er's lovable appearance, she has a kind and intelligent character.After Jiang Li passed away, she followed Xue Fangfei according to her own wishes, accompanying and understanding Xue Fangfei when she couldn't help herself. She was smart enough to rescue him at the right time, just because she insisted on kindness and justice in her heart.

In addition, Jiang Li, who does not have many scenes, rescues Xue Fangfei on the shore just because she understands that desperate people hope that others can lend a helping hand; the words and deeds of the leader of the Virgin Hall reveal majesty and dignityCold, on the one hand, she treats women who violate the church rules without mercy, on the other hand, she also hides complex emotions in her heart, and she also has her own struggles in the face of lust.

These characters all have their own story lines. Whether they are positive characters or villains, all actions have reasonable and vivid motivational logic, creating real character arcs in multiple ways.It can be said that it is precisely in Mo Yuyunjian that the characters themselves are established firmly enough, and the relationship between the characters is not forced, but develops naturally, which makes a good story durable to listen to and watch.

Diverse roles, caring for humanity

Condensing the underlying logic of the revenge drama

For a long time, "Shuangju" - under the appearance of strong narrative and high popularity, has also been burdened with a bit of stigma, that is, in order to present a sense of narrative pleasure, some sense of logic and truth have to be sacrificed.Based on this premise, what we see is that Mo Yuyunjian is swimming against the current and solving difficult problems.

Although this work is a drama about relieving national stress, it also pays great attention to human nature.Specifically, Xue Fangfei is the protagonist of the story who is responsible for revenge. She is not the God of War and does not have the halo of the protagonist. She has suffered a lot of hardships and sins.On the other hand, after she entered the Jiang Mansion, she had to build her own network of contacts and create a situation that was beneficial to her step by step in the face of her stepmother's difficulties.

At first, after Xue Fangfei entered the palace, she insisted on staying the same to cope with all changes. Then she secretly thought and gained insight into people's hearts, and began to instigate the two maids placed by her stepmother to rebel. Facing her father, she knew how to show weakness and penetrated her many years of experience in the Virgin Hall.miserable situation.And her ultimate goal is, of course, to clear her name and seek justice for Jiang Li.From this point of view, - Mo Yu Yun Jian - is not just telling a very satisfying revenge story, it is also telling the complexity and diversity of people.

The development of things is an upward spiral. This concept is reflected in philosophy, logic and many fields.It vividly describes the development process of things from simple to complex, from low-level to high-level. This process is not linear, but shows circuitous characteristics.If you think about it, the same is true for film and television creation. As a mirror of real social life, the development of good film and television dramas should adhere to the characteristics of progress, twists and turns, and cyclicality.In the narrative of "Mo Yuyunjian", there is always a sense of "no turning back until you hit the wall" in the strong confrontation and dramatic conflict, while the personal one-man show is "my fate is up to me and I can't help it".Stubbornness and vitality, this enthusiasm for facing life, this naive courage to see the truth and still run forward are what impress the audience.

From the perspective of industry value, Mo Yuyunjian has grasped that the vivid and non-NPC characters are the benchmark for a good-looking drama. In addition to the vivid protagonist, the supporting roles with small roles are still on the table one after another, which comes from the opposite.The precise compression of the grasp and portrayal of complex human nature.It can be said that in terms of costume creation, it has a certain forward-looking and leading role in the non-NPC track.

In addition, the play attempts to sublimate the core of the story, turning the plot around love into a prerequisite for the heroine to overcome many difficulties and continue to grow. It abandons the settings of the characters in most costume sweet dramas - silly and sweet - and makes the charactersMake it real and truly hit the hearts of the audience at the moment.As the opening song sings: - Then I will not admit defeat, slowly savoring the suffering of the common people, walking through the cold winter, the fragrance is still the same, waiting for the spring scenery to bloom again on the way home.——In the current era, the story of Mo Yuyunjian is an emotional subtraction for modern young people to try and return to the original simplicity of life, that is, adhering to justice and kindness, which is also the unforgettable family love in the story.Love, mutual help and friendship between female characters support each other through one journey in life.

The above is a comprehensive introduction about - Mo Yuyunjian - characters first, story - landing. I hope this article can be helpful to you.In the future, the editor will continue to work hard to bring you more articles about film and television information.We will continue to pay attention to the latest developments and topics in this field and present you with detailed and rich content.Please stay tuned for the follow-up content of our dialogue course!