《Mo Yuyunjian》Being in the suspended space

《Mo Yuyunjian》, the play has been aired, and it has been loved and sought after by the audience as soon as it was aired, whether it is from the storyline, the persuasion, or the appearance and acting skills of the actors.They are all considered to be high-quality works.

The hero loves his wife, the princess loves her husband, the emperor loves his little mother, the cousin loves his cousin, the sister loves her brother-in-law...

This is a chaotic fight about love.

Fanatic No. 1, Fanatic No. 2, and Fanatic No. 3, this is a niche track that directly exposes secrets.

The superposition of various surprising buffs creates wonderful moments again and again in the TV series - Mo Yuyunjian.

Recently, the TV series - Mo Yuyunjian - with Yu Zheng as the producer and starring Wu Jinyan and Wang Xingyue, was launched. The TV series is based on the ancient novel - Marrying a Daughter, telling the story of Xue played by Wu Jinyan.After experiencing the betrayal and persecution of her husband, Fang Fei returns by chance as Jiang Li, the daughter of Zhongshu Ling, and overcomes many difficulties and dangers, constantly working hard to fight against injustice.

In the Shuangwen plot, which focuses on the revenge of female fans, it focuses on describing the heroine's revenge process and portrays a number of female characters who escape from stereotypes.And male characters such as gangsters, ex-husbands, and cousins ​​have abnormally become vassals of women.

Of course, there are also many earthy plots with a Yu Zheng color, such as playing the piano and flying to the sky.“Though earthy but refreshing, it has become the characteristic style and charm of Mo Yuyunjian.The seemingly abstract plot setting and single story tone have won the love and recognition of many audiences.The feedback from the audience seems to convey the changes and subtle connections between the TV series and the audience groups.

When TV dramas move toward suspension and people fall into a vacuum, the output of culture and people's demands are ingeniously connected between the dislocations.People no longer pursue the so-called rigorous logic and excellent production, but turn around to respond to their own demands and choose simple enjoyment.

The connection between reality and art:Carry abstraction through to completion

In fact, this is a TV show that the audience participates in together - The Metamorphosis -.

Looking back on distant memories, TV dramas have undergone drastic changes without even realizing it.Perhaps the biggest manifestation of this change is that today's TV series seem to be less sophisticated and less beautiful.

It is difficult for us to see the Ming Dynasty, a kind of Machiavellian drama that follows and reproduces history, and it is also difficult to reproduce the Legend of Zhen Huan, a classic work that can be savored carefully.The TV series now presented to people seem to be moving towards a more suspended state.

People have tried to trace the beginnings of this change.According to the trajectory of memory generation, people may first think that the path of brainwashing from short plays and short videos has been transferred to the field of TV drama production, or they may suddenly think of the story of the promotion of the Crown Princess from earlier years in their minds.-The novel perception when it comes out of nowhere.

The starting point of time is difficult to capture, but by sorting out the ancient drama series to the current popular short dramas, people can simply summarize the specific connotation of the changes.

This specific change is reflected in the collection and release of TV dramas.The so-called - closing - conveys the persistence of TV dramas in recent years on certain tracks.Homogeneous themes, the same IP that continues to extend, and a group of actors who are always familiar and even tiring, the gradual loss of freshness has eroded the audience's previously surging expectations.

The so-called "putting out" is manifested as a deviation from "tradition" at the level of specific content presentation.The abstract plot, forced exaggerated special effects, and contradictory core values ​​make people define this deviation as subversion.It points out the impact of current TV series on people's cognition and thinking inertia.

However, in the indulgence of the TV series, the audience unexpectedly gained an outlet for self-liberation.

If art comes from life, then the changes in TV series can also be considered to a certain extent as a response to audience preferences and social reality.The pressure of reality tightly wraps people up, constantly vacuuming up people's mental state with a hasty and heavy rhythm.

When the soul is suspended, abstraction is an ingenious way to interact with life.

As a result, there is a strange synergy between the play and the people.People began to respond to the changes in the TV series, and even actively interacted with abstract content, just like the audience expressed their love and enjoyment for the plot of the madman in "Mo Yu Yun Jian".

Carrying abstraction through to the end and comparing the vertical and horizontal aspects of real life and art have gradually become a more relaxed and simple mode of soul communication for people.The long-lost lively atmosphere in life was ignited by the jumping flames.

Walking between need and giving:When Passive Distortion Becomes Mainstream

However, the response and implementation of abstraction does not mean people's full acceptance of the TV series.

In the discussion with the theme - Mo Yuyunjian -, we can still see voices from outside the world - rustic but cool.The analysis and evaluation centered around the words - objective -, - reasonable -, - real - etc. show the audience's demands for plot logic and drama quality.

In the face of criticism and doubts about Mo Yuyunjian from some viewers, how did the show's supporters respond?Their official response is: - Say it’s not good, just watch a few episodes of ‘Fox Fairy Matchmaker’ and you’ll be honest -.Some viewers also listened to the advice and turned to accept and identify with - Mo Yuyunjian - in - Be honest, please let go -.

From rigorous critics to honest passers-by, the audience's identity change reveals people's gradual tolerance for TV dramas.

The comfort that arises from comparison exists in many scenes in people's lives.Or the unavoidable peer comparison in parent-child communication, or the individual differences discovered when exploring the world. People choose the gentle path of downward comparison out of the protection mechanism of self-identity.

The comparison and debate among viewers around the TV series are not a way of seeking recognition among groups.But unlike self-identification, the audience only participated in the maintenance of the TV series, but did not get involved in the creation and construction of the TV series.This kind of remediation after the fact looks like a very passive resistance between groups.

When loyal viewers respond to doubts, they deviate from the target of the doubt and point the finger directly at the comparison of different works, thereby gaining a foothold.This actually reflects the confusion deep in the hearts of loyal audiences. The reality presented to them is indeed a work with real problems.

Is it possible that there are no excellent TV series that are both relaxing and excellent in the current market?It's hard to give a confident answer.The abstract plot setting can also opportunistically match the spiritual appeal of the audience, but the worrying quality of the series is really difficult to convince the audience and evolve into a rational and legitimate trend.

The active giving of TV series gives the audience limited choices and further creates passive concessions.Cultural creations that appear to be responding to the audience's demands are actually disguising the demands as excuses and leading to depravity.

The interaction between the TV series and the audience is distorted into a mismatched relationship that seems smooth but is actually blocked.The avoidance of the audience's demands and the casual treatment of the quality of the work reverse the positional relationship between the subject and the object, and secretly slowly compress the audience's right to speak.

Wandering between deep demands and realistic giving, people have to abandon some past perceptions and standards in order to adapt to the new cultural situation.

Harmony of rigor and laissez-faire:Put enjoyment as the first priority

In the limited suspended space, people also gave their own answers - to regard enjoyment as the first priority of life.

People need to untie themselves from the sense of meaning, simplify the complexity in life, and find some shallow but refreshing comfort in every possible way.From spiritual vacuum to spiritual emptiness, by adjusting the threshold of life, you can slowly find another way to perceive happiness.

The highest degree of saturation happiness is nothing more than self-satisfaction.But when the demand for self-satisfaction is placed in complex real-life situations, it is always abandoned in the midst of various intertwined emotions and feelings.People tend to forget that the original intention of starting something is to satisfy themselves.

As we can see, many viewers of Mo Yuyunjian watch the drama selectively.They enjoy plots that touch them, and subjectively reduce or give up studying plot logic and other bugs.

Among them, perhaps the most enjoyable thing is the display of female self-awareness in the play.The reason why this presentation is so brilliant is that it is consistent and gets rid of the common problem of inconsistency in previous works with similar themes.

It’s not that she is wearing the false cloak of female channel revenge, but she actually relies on men in times of crisis. - Mo Yuyunjian - flexibly eliminates the protagonist’s dazzling aura amidst various bugs and strengthens the independence of the heroine’s individual personality..In the dramatic manifestation and expression of female consciousness, it gives female audiences a strong sense of identity.

In the play, as women explore their own subjectivity, their struggles with life use dramatic expression techniques to dilute the difficulties of reality and become smoother and clearer.And this is just a little light that ordinary people need in their lives.

The compact but smooth rhythm of revenge made the movie extremely enjoyable, and the tension between the male and female protagonists made the audience scream.In the expression of excitement - let me play two episodes - the audience conveyed the compensatory satisfaction after taking on the role.

In addition, the partially abstract plot presentation plunged the audience into a chaotic situation of crying and laughing. The emotional stew seemed to be cleaning up the remaining emotional garbage in the heart, completing a thorough cleaning of the self.

As many netizens said: - This kind of drama has no psychological burden at all and is suitable for watching when you relax after get off work.”It can be seen that the fusion of the essence and the dross in the play has opened up an outlet for ordinary viewers to relieve the stress of life.

Without scrutinizing the logic, simply experiencing the pleasure brought by the plot is to a certain extent a way for people to seek self-consistency in life.Staying at superficial enjoyment has become a choice to simplify life.

So leave some room for life, and keep some dullness in your sensitivity.Appropriately reduce the endless exploration of the external world, and instead focus on the voices that continue to be conveyed in the heart. Perhaps we can touch the undiscovered infinite spaces in life amidst the limitations.

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