《Fox Demon Little Matchmaker Yue Hong Chapter》Opening the fantasy world of Chinese monsters

In the grand world view of Little Matchmaker, most of the stories in the Yuehong chapter take place in the Tushan realm.How to present this magnificent and dreamy imaginary picture is a big problem.

The series uses advanced post-production special effects technology to present the majestic wonderland-like scenery, combined with the carefully crafted service road, and touches the hearts of the core audience with oriental fantasy aesthetics.

After the premiere, many viewers discovered that the timeline of the drama was in ancient times.Director Mai Guanzhi said that the story of Tushan Honghong and Dongfang Yuehong takes up less space in the animation, and the main plot of the "Fox Demon Little Matchmaker Yuehong" focuses on this part, so in terms of timeline,The drama version is more like a prequel to the anime.

He believes that the "Fox Demon Little Matchmaker" series of animations depicts a magnificent and magnificent oriental fantasy world, creating images of humans and monsters with oriental colors.

“The world in the story is divided into an inner circle and an outer circle. In the inner world, the Bitter Love Tree continues the love between humans and demons, and has the ability to reincarnate and renew their relationship.Outside the circle, there are black foxes who try to unleash the dark side of everyone's hearts and gradually devour everything in the circle.”

Under the principle of being supervised by the copyright holder, and with the aim of not deviating from the core of the original work, the creative team of the series made appropriate adjustments to the time when the Bitter Tree rekindles the relationship between the human and the demon.Adapting unit stories from different eras into the same era and expanding the character backgrounds of each unit is also the biggest difficulty in this adaptation.

“The Little Matchmaker of the Fox Demon《This story, whether it is the animation version or the live-action version, explores mutual understanding and tolerance under different positions and conflicts between different races.It can be said that from the beginning of "what is love", we can see all living beings and help the world.”

Strong lineup, well-matched characters

Too many cases have proven that once the combination of beautiful scenery + beauties + exquisite makeup is right, it can release huge energy, which can not only promote the prosperity of local culture and tourism, but also affect the aesthetics of a generation.

If costume dramas have supported half of the beauty economy in recent years, then the role of the cast in costume fantasy IPs cannot be underestimated.

》Fox Fairy Matchmaker Yuehong Chapter《The casting is accurate. Actors such as Yang Mi, Gong Jun, Guo Xiaoting, Wei Zheming, Hu Lianxin, Zhu Xudan, etc. are either first-line stars who have been active in the market in recent years, or high-end celebrities with excellent potential.Rookies with good looks, their costume appearance and role influence have withstood rigorous market tests, and they are the leaders on the costume track.

Therefore, if the actors' images are matched with excellent costumes, they can show an effect that fits the characters and 1+1>2.For example, the representative colors of the three Tushan sisters are red, purple, and green, which not only match the temperament contained in the character's name, but are also infinitely close to the character's personality.

Tushan Honghong is domineering and charming, and best matches red; Tushan Yaya has superb combat power and arrogant appearance, and purple can highlight her momentum; Tushan Rongrong has a smooth appearance but is calculating on the inside, and the pure green color can confuse opponents even more.

The cyan clothing worn at the beginning of the month in the East highlights its chic and youthful look.Butai (played by Zhu Xudan), the princess of the Kingdom of Demons, is brave and passionate in love and yearns for peace. The gold color can highlight her noble status.

》Fox Demon Matchmaker Yue Hong Chapter《The use of clothing colors not only gives the series a strong visual impact as a whole, but also accurately summarizes the personality and color of each character, which contains the crew's connotation of traditional cultural colors.understanding and expression.

In addition to focusing on the characters, the scenes, special effects, and magic weapon designs presented in the play are all infused with oriental aesthetic features. The misty scenery and the fantasy and magnificence of the magical battles create a fantasy world full of beauty.

The mountain shape of Tushan is based on ancient paintings. The mountain is towering and majestic.The bitter tree hanging upside down on the top of the mountain and filled with aura is extremely realistic and has become the main scene in the play.Most of these visual elements are inspired by Chinese famous places such as Zhangjiajie, Guilin, Lushan, and Huangshan. The composition is inspired by the window views of ancient Chinese paintings and ancient buildings.

The light effect color system in the play still uses traditional Chinese colors.For example, azure, agarwood, cang, bamboo moon, lilac, camel brown, etc.And in the design of the magic circle, the tile pattern shape in traditional Chinese cultural relics was cited as inspiration, and the intangible cultural heritage - Zhang's origami art was introduced. An exquisite paper crane in the play is a means of communication between human races.Letterhead.

》Fox Fairy Little Matchmaker Yuehong Chapter-Introduces traditional Chinese aesthetics into the work. The scenes in the play, as well as the costumes and accessories of the protagonist, all reflect the inheritance of China's intangible cultural heritage.On the outside, it has the charm of a great country in the prosperous Tang Dynasty, which is mixed and integrated, and on the other hand, it has the cultural prosperity and elegant style of the Song Dynasty. On the inside, it contains the traditional Chinese etiquette, ethics and psychological structure, revealing the continuation of tradition in the contemporary era.

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