《Fengshen Part 1》Introduction to screening time

A film and television drama called - Fengshen Part 1 - is currently on the air. It has received quite good reviews since its launch, and the audience's enthusiasm is also growing.With the increase in popularity, there has been an increasing amount of discussion about the show on major online platforms, especially the screening time introduction of "Feng Shen Part 1" that everyone has been paying most attention to recently.

《Fengshen Part 1》 Screening time: July 15 and 16, 2023 from 19:00 to 21:00.The released version is a 2D version with IMAX.Released nationwide at 18:00 on July 20.

《Fengshen Part 1》Feelings from the premiere

《Fengshen Part 1》breaks through the simple main story line of the struggle between good and evil, loyalty and traitor in the original work and previously adapted film and television works.Instead, it uses the core of Western tragedy art to reflect the historical and political evolution of Eastern society.The contradictory line of patricide and son-killing runs through the entire film. This is not only a devastating subversion and reconstruction of human relations and emotions, but also the ultimate showdown between individual life and the state machine.

In the movie, Ji Fa, the future leader of the world who is still growing up, is experiencing the blood/family relationship between the son and the proton who is in the running of the public power/political gears.Inspired by his father's words - "Whose son you are is not important, knowing who you are is the most important", he finally realized the awakening of his own will and fought back against the tyrannical reality.

The so-called myths are actually the human world in another kind of grammar and context.《Fengshen》The first film captured the essence of this art, making the whole movie full of heavy epic meaning and humanistic connotation.

Unexpected and worthy of praise.Therefore, it is inevitable to think about the special historical period of 10 years not far away. I hope that the tragedy will not happen again. I hope it is just a wish.

Secondly, in terms of character design, King Yin Shou of Zhou was portrayed as a strategic emperor who was good at manipulating people's hearts and mind. In the past adaptations, his shocking debauchery and cruelty were downplayed, or the director found a dramatic logic for him.rationality.

Moreover, there is also a strong sense of tragedy surrounding him.On the day he ascended the throne, he showed signs of divine punishment, and was forced to promise to build a platform and burn himself on fire. From the beginning of his glorious foundation, he had already entered the countdown of his life.

He wants to press the huge wave, and he must change his life to save himself.Teacher Fei Xiang very successfully performed the complex inner world of this character and the background of his self-inflicted fate in the sudden and rapid fall.The actor's own temperament and aura are also full of nobility and kingly style that don't need to be modified and fit perfectly.

Daji is no longer a footnote to beauty and misfortune, but a fox demon who is dedicated to repaying kindness.In the world of King Zhou, King Zhou makes the decision, and the fox demon is nothing more than a tool used by humans.

This setting is somewhat new, but as a newcomer, Naran's performance is barely passable.Although the director has repeatedly emphasized the nature and characteristics of Daji as a fox in the post-film communication, it does not rule out that after the movie is officially released, the character's physical movements will still trigger a round of controversial topics, especially among some extreme N-rights people.- denounce ".

Jiang Ziya, played by Huang Bo, is the comic actor in the entire film, and his comedy talent is not wasted at all.It has changed everyone’s traditional impression of immortality, Taoism and magical calculations, and has become the hard work, helplessness and perseverance of ordinary people in the market.Down-to-earth, cute, and kind enough.Personally, it would be unacceptable laziness and perfunctoryness to accept such a transformation of character image and just copy and act the same.

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