Movie《Monster》Ending Analysis

Movie《Monster》What does the ending mean?Is it HE?If you want to know these contents, you might as well read the introduction of this article. I hope that through the content of this article, you can better understand the contents of 《monsters》.

Movie《Monster》Ending Analysis

The movie - Monster - tells the story from three different perspectives, namely the perspective of the mother, the teacher and the child. In the ending, Minato and Yori jump from the overturned tram toward the lower window into the ditch next to it, and walk alongThe water channel runs out into the forest and looks relatively open, so different viewers have different interpretations.

Two young actors, Kurokawa Sōya and Hiiragi Yota, walked through the inaccessible trees and found an abandoned tram carriage near the bridge tunnel, and established their own - secret base - inside.

In the movie, Kore-eda Hirokazu uses the conflict between two boys in school as a breakthrough, telling the story of the conflict between the boys radiating to the adults around them and the entire community, and involving the media, but as the small conflict evolved into a big incidentLater, the two boys disappeared, leaving everyone with countless room for imagination.

The story of 《Monster》 takes place in a peaceful lakeside town.The single mother Hayori (Sakura Ando) who loves her son, the straightforward teacher Pauli (Eita Nagayama) who cares about her students, and the innocent children originally lived a stable life, but because of a teacher's corporal punishment, it caused an uproar.The situation became more and more serious. On a stormy morning, both children disappeared.

The film received critical acclaim from the media upon its premiere.Fans who like Kore-eda Hirokazu have discovered that Kore-eda has a new attempt this time.He tells this story from three perspectives: mother, teacher and child, and it is full of suspense.What is - a monster -?The boy in the movie always feels like the monster.In the adult world, many people think that everyone else in the world is a monster except themselves.The film explores the difficulties and possibilities of mutual understanding.

Kore-eda Hirokazu's delicate narrative style is as consistent as ever, and the tenderness makes people cry.Ryuichi Sakamoto's score is also very good, with several piano scores full of warmth.

The good thing about Kore-eda Hirokazu is that in the peaceful life, the empathy between the audience and the characters transcends the dramatic effect, just like - no one knows - the handling of the sensational - abandonment to death case - the focus is not onA high-conceptualization of a cruel incident, but the psychological state of a child's daily life after being abandoned.

He is good at diluting the sharpness and edges of strong dramatic events with a gentle and detailed texture of life, and using the environment of the times as the spiritual undercurrent of the characters. He not only inherits the tradition of family movies represented by Ozu Yasujiro and Naruse Mikio, but also inheritsThe tradition of political films represented by Sapphire Yamamoto.

Therefore, Kore-eda's films are the gravel in the long river of life, the little bit of human ambiguity in vicious events.

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