Recently, when I was looking for movies to relieve my fatigue during the National Day, the editor accidentally saw this movie - Love Letter -. At first, I watched it with the mentality of giving it a try because of its high rating on Douban and the well-known director Shunji Iwai.As a result, the plot of this drama really tortured me. It is worthy of the 9-point rating given by more than one million people on Douban. It is indeed a masterpiece.Today, the editor will tell you about my thoughts after watching this youth love movie - Love Letter.
Shunji Iwai's grasp of the youth theme is so precise that it is heart-stopping. At least in terms of this ability indicator alone, other directors are hard to come by.Quentin Tarantino has a lot of trash talk, black suits and pistol pointing scenes, John Woo has white pigeons flying, two-handed shooting and windbreakers that Fa Ge helps practice, Zhang Yimou has thick colors, group gymnastics or simple human emotions, Wong Kar-wai hasWith his urban alienation, indifferent expressions and charming lines that are nonchalant, this is their special skill.As for Shunji Iwai, he only needs to make a flick of a stroke to let the color spread over the fixed camera lens, and the hearts of the audience in the seats will jump out and a piece of broken glass will fall into it.
After watching "Love Letter", I was almost overwhelmed by the snow-white color throughout, and was immersed in the strange and special film, which also presented a sense of fluidity and kept passing away.In particular, I think the atmosphere created when the middle paragraph tells the little things that happened to the two Fujii trees in school is where the whole film shines.The two were called by name, and they looked at each other after answering at the same time. The boy had a look of disdain on his face, and the girl had an unexpected and shy expression; at the class meeting for the election of class cadres, the boy was speechless, sullen, and angry, and the girl looked timid in tears of grievance.; In the school library, a boy with a silent face is leaning against the white curtains reading a book, and the girl's bangs are blowing on her forehead in front of the desk; Riding a bicycle on the way to school, playing a prank with Ouyi, the girl looks at the boy who succeeds and leaves.The pursed lips and the smile in the eyes when viewed from behind; in the bicycle shed after dark, the girl struggled to shake the pedals to illuminate, and the boy's obviously deliberate and pretended procrastination; the tenderness and bitterness of youth have nothing to do with beauty,The bizarre behaviors of girls who have just begun to fall in love and feel mature; coupled with the natural setting that is not easy to detect: the gentle breeze and the sunshine through the window.Every detail pricks the senses.Shunji Iwai made the middle school years that accompany our adolescence seem real and illusory. He successfully deceived all the viewers who were touched by this, including me, who was lying in bed alone unable to feel sorry for myself.He made us, who have already walked through this journey and are about to say goodbye to our student history, look back and forget those annoying rudeness, ignorance and wisdom, and only remember the fragments that seemed so pure and beautiful, like that paragraphThe road really is always flawless.While I was being beaten, I kept reminding myself: it was all a lie.
But Miho Nakayama's complicated expression at the end of the film, where she didn't know whether to cry or laugh, the passing by and glance back in the crowd, and the quietness and serenity of the small town in Hokkaido are all heartwarming moments that cannot be easily erased.And the library, this place, and the professional role of a librarian are special to me in an indescribable way, and they fit in with the feelings I sometimes have that most people don't have.There's always something incredibly intense about something that's different than most.On the one hand, the film has the quality to touch a large number of people's hearts, and on the other hand, it also has a personal secret code, which really made me suffocate for a while.
In fact, this film focuses more deeply on life and death, how the living face the dead, and how they face the life that is moving forward regardless of the dead.The director mentioned in the creative talk that Haruki Murakami - the Norwegian forest - was the source of the idea for this film.However, the setting of the female protagonist and the strange and ingenious plot make the mood of this film more innocent, innocent, romantic and simple than the novel.Probably because of this, the participation of youthful memories is so brilliant.
I'm really, really, really tired of youthful emotions and sadness, and what's even more annoying about them is that they always pop out when my guard is slightly loose. Acupuncture usually pricks small eyes all over the body, but the pricks are numb.The numbness made me feel comfortable and ashamed at the same time.My first reaction to a sudden emotion is usually that it is suspicious and insincere.Then calmly analyze, does this so-called touch really penetrate into the body and crisp the soul, or is it just a hard scratch on the itchy flesh?The latter happens often, and from personal experience, to prevent yourself from making stupid moves, it’s best to laugh it off and ignore it.And once I encounter the former that occasionally appears, such as this love letter, I can't help but be a little scared. In order not to continue to tremble in front of its dark power, I have to raise my middle finger and shout: Youth, touching, you all get out of here.Stay away!
It's just that this kind of clamor, under the exquisite scenes and shocking plots weaved by Shunji Iwai, seems a bit harsh and inwardly painful.But I will never stop being moved just because of the existence of an excellent director. Shi Kang said: People love to recall their youth because they have nothing better to offer except their share of youth. PeopleThe mental abilities stagnated in adolescence, while the physical abilities went downhill, and youth became the pinnacle of life.I completely agree with this sentence, so even if it seems that I am overestimating my capabilities, I must use my professional language to seriously express my position: to set the limit of my spiritual ability in my entire life, the value gained is by no means “youth”, not hesitation.In the walled campus, it is not a trivial matter between the sexes.
The above are the thoughts about Love Letter that the editor compiled for you this time. I hope that all my friends can also go and watch it. The actual impression is definitely more real than personal feelings, and it is a strong positive wave.
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