《Laughter is always in the lane》Chinese comedies are not funny

《Laughter is always in the lane》 is currently being aired, and many viewers are very concerned about 《Laughter is always in the lane》 Domestic comedies are not funny, so let the editor bring you relevant content analysis.

Domestic comedies are not funny.

This is a general consensus in recent years, especially with the emergence of some templates with happy endings and tragic endings, which has led to many so-called comedies that start to forcefully sensationalize the show at the end, making the audience dig their toes to the ground.

Come on, we just want to laugh, can’t we?

Not to mention, my little sister recently discovered a domestic drama purely for comedy——

《Laughter is always in the lane》

The title is just a drag on the show.

When I first watched it, I thought it was some CCTV family drama, the kind of family drama that parents and grandparents love to watch.

As a result, I never expected that this would turn out to be a fast-travel drama!

First, let’s give some popular science to viewers who don’t understand this genre. The fast-travel theme is actually a branch derived from the time-travel theme.

In this type of novel, the protagonist often travels from one time and space to another with a mission, and after completing it, continues to the third time and space, the fourth, the fifth, and so on.

Frankly speaking, there have been so many time-travel dramas filmed, but this time-travel drama is really an unpopular subject among domestic dramas.

Looking at the actors again, I’m in awe.

Lu Ziqiao and her aunt!

Are you two going to act as a couple?

Of course, as a comedy, the emotional line between the aunt and the nephew comes second, although the younger sister and the audience are very interested in them playing a couple together.

But the most interesting thing about this show is the plot.

The story takes place in Shanghai in 2021. The male protagonist Feng Peter is a social worker working in a film and television company.

Because he accidentally offended the company's parachute female leader Zeng Xiang, Feng Pitt was forced to take over the company's most difficult job - urging manuscripts.

Because the company is currently promoting a script that will be turned into a film and television, but this screenwriting teacher is very weird. He often fails to finish the script. Several employees who were sent out to rush for the script were eventually admitted to the hospital.

Sure enough, when it was von Peter's turn, something happened.

He was actually sucked into the script.

When he opened his eyes, he found himself lying in a dilapidated house, and the time had arrived in 1946.

He traveled through time.

To be precise, he should have traveled through the screenwriter's script and become a little cobbler struggling at the bottom.

The time is the Republic of China, and the place is still Shanghai Beach.

However, on the first day after arriving in the Republic of China, the little cobbler was kicked out by his tenant because he had no money to pay the rent.

After that, he was chased by Shanghai street gangs and police one after another, and finally was inexplicably rescued by an underground organization.

When he finally came to his senses, he realized that the little cobbler that his soul had penetrated was probably an undercover agent.

But the problem is that Feng Piet has no idea what mission the little cobbler is performing, so he is beaten everywhere. After beating this family, he continues to beat that family, and is finally rescued by the girl Axiang in the alley.

Feng Piet was confused because this Axiang looked exactly like the female leader Zeng Xiang who put on his little shoes.

In the script, Peter Feng truly experienced the darkness of the old society, and Axiang was like a bright light that brought hope to Peter Feng.

In the end, because the little cobbler offended so many people, Axiang actually agreed to be the warlord's concubine in order to save him.

Von Piet was anxious to death, but he didn't know how to save people.

At this juncture, he unexpectedly bumped into that mysterious screenwriting teacher in the Republic of China.

Under von Pitt's questioning, the screenwriter admitted that he had used the script to bring von Pitt to this time and space.

If von Peter wants to go back in time, he must advance the plot as the male lead.

The key element of quick travel - completing the mission.

As for why this was done, it was because the screenwriter had exhausted his talents and could not write a good plot, so he simply let "outsiders" promote it.

The character of the male protagonist is exactly the same as Lu Ziqiao in his love apartment.

She's timid and loves to tease, and she's also playful and playful.

Just when he was about to stop Axiang from getting married, he somehow triggered the time travel and suddenly returned to the real world.

Feng Pitt looked through the script and found that his experiences in the Republic of China had been written into the plot.

What about Axiang?Is she really married?

Although von Peter couldn't wait to know the next plot, he didn't dare to open the new script that was sent to him for fear of triggering the time travel again.

While hesitating, Zeng Xiang flipped through the script, and then he was sucked in again.

But this time, he was not fighting alone, but Zeng Xiang also traveled through the book with him.

Zeng Xiang transformed into A Xiang and woke up in the wedding room.

Compared to Feng Pitt's unlucky fool, it only took Zeng Xiang a few minutes to figure out the ins and outs of the matter.

Who am I, an independent strong woman of the 21st century.

In an instant, Zeng Xiang held high the banner of feminism and was moved by her feelings for the eight concubines she had previously married. Girls help girls. Do you understand that women can hold up half the sky?

Immediately afterwards, he used the Heimlich maneuver to save the general who almost choked to death, and successfully gained his freedom.

Then she got two gold bars from the general and started her entrepreneurial journey in the Republic of China.

Since I can’t go back, I might as well make some money.

Then inexplicably, the plot of a young cobbler, a male drama, turned into a story about the heroine's promotion.

So this is not love across time and space in the traditional sense of time travel and rebirth.

Rather, it is a complete "whole job" spoof comedy.

The Republic of China era is only part of the fast-travel background of the entire drama. The latter two people also traveled to Meteor Garden and became Shancai and Huazelei.

She even fell into the temptation of going home and transformed into Hong Shixian and Ellie who were having an affair.

The jokes are one joke after another, too dense to count.

The screenwriter is really good at playing, using all the well-known settings of classic domestic dramas to spoof them.

For example, the warlord Axiang wanted to marry was named Lu. He fled the war in the Northeast and came to Shanghai. Because he could not forget his first love who died, he would marry a woman who looked like his first love and go home as his concubine.

When I arrived at Axiang, I happened to be the ninth one.

In this setting, you can see - deep love and misty rain - in one second.

Furthermore, the heroine copied her experience of starting a business in modern society in the Republic of China and planned to replicate the miracle of the rich. As a result, she just invested a huge amount in shared bicycles, and all of them were stolen the next day.

Relying on the MCN model of building Internet celebrities, I approached my aunt for business promotion. As a result, my sponsor withdrew my capital, and my family was almost demolished due to the loss.

But it doesn't matter, our regular meeting will be held on Monday.

Corporate culture cannot be lost, and we will not take vacations until the earth explodes.

Von Pitt: Can I ask you to have a face?

The bickering mode between the male protagonist and the female protagonist is simply funnier than in Love Apartment.

In addition to pranking others, this show also doesn't forget to ridicule itself.

There was a side story. During an interview, the host (spoofing Yi Lijing) suddenly asked the screenwriter what he thought of a certain netizen's negative reviews of his new drama.

For example, the logic is inconsistent, there are too many bugs, and it is becoming less and less funny.

Use the characters in the play to break the fourth wall and interact with real-life audiences, anticipating netizens’ complaints and giving netizens nothing to complain about.

However, this show is too gimmicky, causing many non-Internet fans to not be able to get this kind of laughter.

Because of this, there are really a lot of bad reviews on a certain page, and this coincides with the interview extra, making the "not funny" in the comments become part of the punchline.

The logic is closed, and the comedy is really understood by you.

This work has attracted the attention of the majority of fans with its excellent production. I believe everyone already understands - Laughter is always in the lane - that domestic comedies are not funny, and we will continue to pay attention to more exciting content lines lessons in the future.If you are following the drama, don’t miss the line class.