The stories of 18 characters go into《Kang Rinpoche》, which will be broadcast on November 14

 A cow affects the entanglement and reconciliation of a couple during the cooling-off period; a 21-year-old young man hesitates between returning to his hometown and staying in the city; wildlife protectors want to return the animals they have taken care of to nature, but they also have to face separation.《Kang Rinpoche》Episode 4《Decision》these selected clips will be shown to the audience at a screening in Beijing on November 9.

This documentary will be broadcast on Migu Video, Mi Vision, and Mobile HD every Saturday at 10 a.m. starting from November 14th.

Migu Video Technology Co., Ltd. and Beijing Tiancheng Jiahua Culture Media Co., Ltd. jointly produced the film. He Jiong served as the narration, Chen Chusheng sang the ending song, and ethnic and religious experts participated in the entire creation.Chief producer and chief producer Zhang Shuang said that the team has invested more than four years in this film.The creation is divided into three levels: natural, humanities and folk life: geographical research, flora and fauna and ecological protection form the natural part, with dozens of species of animals and plants recorded by the camera; historical changes, archeology and civilization inheritance form the humanistic part; the daily life of local people supporting each other in life and construction is written into 18 character stories.

In addition to the characters, the film crew also used fixed-wing aircraft, drones and unmanned boats to photograph Kailash and surrounding areas, following scientific researchers to measure lake water, inspect rocks, and explore geothermal heat.Archaeological clues lead to historical relics such as Zhangzhong, Guge Dynasty and Qionglong Silver City, while traditional culture and intangible cultural heritage skills are recorded in today's life.Nature, history and current people go hand in hand to form the narrative of the entire film.

Wang Tiezhi, former deputy director of the Policy Research Office of the National Ethnic Affairs Commission, former editor-in-chief of Ethnic Publishing House, and editor-in-chief of the film, talked about the practice of using life throughout the narrative in his film review.He believes that the film integrates natural landscapes into the fate of characters and the survival of animals, and connects scientific investigation, historical archeology, intangible inheritance and contemporary life, thus going beyond the expression of simply showing scenery.

Yang Dezhi, editor-in-chief of China Tibet Network, emphasized the relationship between truth and emotion.Geological researchers, wildlife protectors, grassroots cadres and intangible cultural inheritors have become windows to observe changes in the plateau; grand development stories need to be understood through living individuals.

Li Li, vice chairman and general manager of Migu Video, reviewed the previous cooperation with Tiancheng Jiahua on Potala Palace Season 2 - Potala Palace Time and Space Decoding. The two works have won industry awards and honors.《Kang Rinpoche》 was selected as the 2026 National Radio and Television Administration’s online audio-visual program quality communication project support project.She hopes that the documentary will go deep into the lives of ordinary people and record changes through daily choices and individual destiny.

Also present at the screening were Zhong Tingxiong, deputy director of the Cultural Propaganda Department of the State Ethnic Affairs Commission and first-level inspector, Cui Ying, chief director and chief writer, Zhang Yaxin, art director, Zhang Zhaowei, art director, post-production director and copywriter, Xu Shundong, senior content expert at Migu Video, and others.

After the screening, Xu Shundong talked with several main creators about high-altitude shooting, pre-preparation, image expression and post-production.The filming team stayed in the high-altitude environment for a long time, followed the filming in depth, and recorded the natural ecology and local life; the main creator hopes to leave real image archives in the process of continuous changes in the environment and life.

This work also continues Migu’s humanistic documentary content layout.In the content strategy of "one main and two special", sports is the main track, and special film and television dramas and special documentaries are the two special directions.Humanistic documentaries include - Potala Palace - Kailash - while sports documentaries are produced by the % label inside and outside the stadium - Super Home Team - Swimmer Sun Yang - and other works.