《The Year of the Flower》The rebirth drama is filmed like this, I really can’t stand it

Recently, "Du Huanian" has been very popular. Every update can make the audience discuss it for a long time, and the various developments in the play also affect everyone's hearts. "Du Huanian" - the rebirth drama has been filmed.Like this, I really can't stand it is one of them. Below is the organized content brought by the editor, come and take a look.

There is no shortage of ancient puppet dramas in Chinese dramas. One - Yan Xin Ji - is currently on the air, and another - Hua Nian - is coming again.

The plot opens from the perspective of rebirth, thus reviving a love story that was only realized in hindsight.

The story roughly tells that the eldest princess and the prince-consort are reborn after death. They meet again when they were teenagers before they were married, and work together to overcome difficulties.

The eldest princess Li Rong and the consort Pei Wenxuan both died and were reborn. After rebirth, they still retained the memories of their previous lives.

They were originally a couple who got married for their own interests. They slept together for many years, but they had different dreams and ended up dead at the hands of each other.

Reborn, time reverses and returns to the moment of first encounter.When they came to this life, their faces were young and tender, but their memories of the previous life were very clear. They misunderstood that the other was their murderer, and they were still worried about each other. After a close comparison, they found out that it was the conspiracy of the middleman - the instigator.

Rebirth dramas are not uncommon. They once caused a wave of enthusiasm, and new dramas are coming, and the plot development has attracted special attention.

《The Years of Life》In the first ten minutes, a period of transition from middle age to youth is carried out with a tight rhythm - resurrection from death - rebirth. A rebirth then unfolds the entire chain of events, and the realThis is where the story begins.

When they met again as teenagers for the second time, Li Rong and Pei Wenxuan settled old scores and mistakenly believed that the other party had committed suicide in their previous life. After some reconciliation, the misunderstanding was finally solved.

In the last life, they were forced to get married due to the current situation. At that time, Li Rong and Pei Wenxuan had Bai Yueguang in their hearts. After rebirth, Bai Yueguang remains the same. When they look back at their youth again, do they firmly choose the regrets of their youth?

The plot routine of Rebirth is well known, and it is inevitable to follow the classic plot.The plot of Li Rong and Pei Wenxuan did not escape, they were reborn after death, and there was no suspense. The plot was dull and monotonous, and the harmonious plot was - elementary school-style - bickering.

Reborn as a teenager in middle age, memory is retained. It stands to reason that the character has experienced many power struggles. No matter how young and innocent the character is, he should be forced to be mature and stable. He is also in a high position. People around him are looking at him eagerly. How can he still have a young mind? He is the first to escape from the power of the rebirth.Or master the chessboard, adjust the positions, and fight against it.

Li Rong returned to 18 years old and Pei Wenxuan returned to 20 years old. When they learned that they had returned to each other, they did not investigate the many mysteries in their previous lives. They were not surprised or explored when they met familiar faces again.

In the last life, I knew that it was not the other person who killed me, but they were actually dead, and all the evidence pointed to the other person.

When Pei Wenxuan clearly realized the period he was in, he planned to leave and no longer have any entanglement with the princess.Originally I didn’t want to see the princess again, but after a mental struggle with myself, I couldn’t help but decide that I wanted to see the princess again when she was 18 years old.

Seeing the princess being infatuated with Bai Yueguang, she was full of disgust on the surface but full of jealousy in her heart, so she showed up to see the princess unconsciously.

Goodbye is not about the complex emotions of meeting in childhood and experiencing long-lost feelings. The prince-in-law is jealous of the princess and the prince-in-law when they meet, and uses the emotions of the characters to forcefully promote the development of the plot. It is a deliberate idol drama, and the logic is full of loopholes.

The plot is witty and the logic is not rigorous. It relies entirely on the bickering of the characters to make up for it. The routines are repeated and no new tricks can be played.

When Pei Wenxuan and Li Rong met again, they began to dislike each other. In fact, they had gradually developed feelings for each other during the more than ten years of living together in the previous life. They fell in love with each other but did not know it. When they came back again, they were still unaware and did not want to admit it.

Pei Wenxuan was unforgiving, but at the same time he was jealous of the eldest princess for focusing on Su Rongqing, and complained wildly. After getting jealous, he unconsciously found himself between the eldest princess and Su Rongqing, which is a common thing in rebirth dramas - a love triangle - as expected.Coming.

However, the emotions of the characters responsible are not just the complexity of the love triangle, because the male protagonist had someone else in his heart when he was a teenager, and the female protagonist also had a love rival.

“Modern colloquial lines—not rigorous enough.I saw a modern spoken word bickering in a costume drama, and I was confused between the contradiction between a costume drama and a modern drama.

Every sentence the male and female protagonists quarrel with each other is a familiar and insulting quotation, - How can you pretend to be innocent when you are old? - What is this?Your mind's eye”, when you close your eyes and listen to the lines, your mind is filled with the commonly used insulting words nowadays. Appearing in the fictional era of the setting, the sense of separation is too strong.

The most indistinguishable part of whether it is a costume romance drama or a fantasy drama is the use of special effects in the later stages.

The past and present life are randomly changed in the protagonist's trance memories. The same scene is reproduced using post-production ingenuity - fade - and one-click mask transition, giving it a completely new look, as if it were a dream.

This kind of later use in fantasy dramas, mythological dramas and comics will appear ingenious and the effect is excellent, but the fictional setting here shows that the formula is used indiscriminately, and the subject type instantly jumps out of thinking, and even transcends the imagination.It's so imaginative.

Every time the character pauses, the costume changes and spreads from the costume to the character's body. In that frame, I am really afraid that the next second will be the incarnation of the monster in Journey to the West.

In the later stages of the show - changing costumes - the recall camera is too forward, which is completely abrupt. The suddenness of the camera makes it difficult to substitute the character and the plot.

The characters have a wide age span, and the middle age and teenage years are played by the same actor. There is insufficient matching, and the male and female protagonists lack a sense of CP. The emotional line is less consistent, which induces hormonal effects.

Zhang Linghe himself looks mature. He plays the role of middle-aged man with a beard. The character has a full sense of age and fits the role. When he returns to the 20-year-old boy, his appearance looks older, as if he is about to cross over in his twenties.Those who are in their thirties do not look juvenile in appearance.

Zhao Jinmai is just the opposite. She is younger than Zhang Linghe in real age, and her baby face also looks girlish. She still looks seventeen or eighteen years old. The appearance of the older princess in the early stage is not in line with the character. Her clothes are old-fashioned, but that pictureThere is no trace of being in his thirties on his face.

Returning to the second life when she was 18 years old, her appearance and quirky personality seemed to be a tailor-made age for her character.

Zhao Jinmai's appearance is more realistic with the character's quarrelsome setting, while Zhang Linghe's looks are a little more deliberate, with a mature face that goes against the childish expressions and movements.

Due to the age gap and appearance, Zhao Jinmai and Zhang Linghe's drama lacked a sense of intimacy. The scenes where they were having fun and bickering in the same frame were more like the daily bickering between siblings, and the couple lacked compatibility.

One looks older, the other looks younger, and even the cute height difference doesn't have the effect of adding sugar to idol dramas.

There are many types of costume dramas, but not all shoddy plots will break the circle. If it is exciting enough, it will be popular if it is broadcast. - Mo Yuyunjian - is a typical example.

If it is full of loopholes and does not meet the taste of the current audience, it will probably end up being an unknown hit like "Fox Demon Matchmaker Yue Hong".

《Duhua Years》8 episodes of hits, but the popularity cannot keep up, the reputation is not ideal, and it is difficult to rise. I wonder if the reputation can be reversed in the subsequent plot?

The above is the full analysis of the rebirth drama - "Du Hua Nian" - I really can't stand it when it is filmed like this. If you want to know more related film and television information articles, please continue to pay attention to the daily updates of the line class.