《The Princess Royal》The rebirth drama is filmed like this, I really can’t stand it

Recently - The Princess Royal - has been very much discussed. Every update can make the audience discuss it for a long time, and the various developments in the play also affect everyone's hearts. - The Princess Royal - the rebirth drama has been filmed.Like this, I really can't stand it is one of them. Here is the organized content brought by the editor. Come and take a look.

There is no shortage of ancient puppet dramas in Chinese dramas. One - Yan Xin Ji - is currently on the air, and another one - The Princess Royal - is coming again.

The plot opens from the perspective of rebirth, thus reviving a love story that was only realized in hindsight.

The story roughly tells that the eldest princess and the prince-consort are reborn after death. They meet again when they were teenagers before they were married, and work together to overcome difficulties.

The eldest princess Li Rong and the consort Pei Wenxuan both died and were reborn. After rebirth, they still retained the memories of their previous lives.

They were originally a couple who got married for their own interests. They slept together for many years, but they had different dreams and ended up dead at the hands of each other.

Reborn, time reverses and returns to the moment of first encounter.When they came to this life, their faces were young and tender, but their memories of the previous life were very clear. They misunderstood that the other was their murderer, and they were still worried about it. After a comparison, they found out that it was a conspiracy between them.

Rebirth dramas are not uncommon. They once caused a wave of enthusiasm, and new dramas are coming, and the plot development has attracted special attention.

《The Princess Royal》In the opening ten minutes, a period of transition from middle age to adolescence is followed at a tight pace. A rebirth unfolds the entire chain of events. The real story begins withThis comes on stage.

When they met again as teenagers for the second time, Li Rong and Pei Wenxuan settled old scores and mistakenly believed that the other party had killed themselves in the previous life. After some reconciliation, they finally solved the misunderstanding.

In the last life, they were forced to get married due to the current situation. At that time, Li Rong and Pei Wenxuan had Bai Yueguang in their hearts. After rebirth, Bai Yueguang remains the same. When they look back at their youth again, do they firmly choose the regrets of their youth?

The plot routine of Rebirth is well known, and it is inevitable to follow the classic plot.The plot of Li Rong and Pei Wenxuan did not escape, they were reborn after death, and there was no suspense. The plot was dull and monotonous, and the harmonious plot was a “primary school student-style bickering.

Reborn as a teenager in middle age, memory is retained. It stands to reason that the character has experienced many power struggles. No matter how young and innocent the character is, he should be forced to be mature and stable. He is also in a high position. People around him are looking at him eagerly. How can he still have a young mind? He is the first to escape from the power of the rebirth.Or master the chessboard, adjust the positions, and fight against it.

Li Rong returned to 18 years old and Pei Wenxuan returned to 20 years old. When they learned that they had returned to each other, they did not investigate the many mysteries in their previous lives. They were not surprised or explored when they met familiar faces again.

In the last life, I knew that it was not the other person who killed me, but they were actually dead, and all the evidence pointed to the other person.

When Pei Wenxuan clearly realized the period he was in, he planned to leave and no longer have any entanglement with the princess.Originally I didn’t want to see the princess again, but after a mental struggle with myself, I couldn’t help but decide that I wanted to see the princess again when she was 18 years old.

Seeing the princess being infatuated with Bai Yueguang, she was full of disgust on the surface but full of jealousy in her heart, so she showed up to see the princess unconsciously.

Goodbye is not about the complex emotions of meeting in childhood and experiencing long-lost feelings. The prince-in-law is jealous of the princess and the prince-in-law when they meet, and uses the emotions of the characters to forcefully promote the development of the plot. It is a deliberate idol drama, and the logic is full of loopholes.

The plot is witty and the logic is not rigorous. It relies entirely on the bickering of the characters to make up for it, and the routines are repeated without any new tricks.

When Pei Wenxuan and Li Rong met again, they began to dislike each other. In fact, they had gradually developed feelings for each other during the more than ten years of living together in the previous life. They fell in love with each other but did not know it. When they came back again, they were still unaware and did not want to admit it.

Pei Wenxuan was unforgiving, and at the same time he was jealous of the eldest princess for focusing on Su Rongqing, and complained wildly. After getting jealous, he unconsciously found himself between the eldest princess and Su Rongqing. The common love triangle in rebirth dramas happened again as expected..

However, the emotions of the characters responsible are not just a love triangle”, because the male protagonist had someone else in his heart when he was a teenager, and the female protagonist also had a love rival.

“Modern colloquial lines” are not rigorous enough.I saw a modern spoken word bickering in a costume drama, and I was confused between the contradiction between a costume drama and a modern drama.

Every time the male and female protagonists bicker with each other, they use familiar and insulting quotes. How can you pretend to be innocent when you are old? What is this?Your mind is %. When you close your eyes and listen to the lines, your mind is full of the commonly used insulting words nowadays. Appearing in the fictional era of the setting, the sense of separation is too strong.

The most indistinguishable part of whether it is a costume romance drama or a fantasy drama is the use of special effects in the later stages.

The past and present life are randomly changed in the protagonist's trance memories. The same scene is reproduced using clever “fading” in post-production and one-click mask transition, giving it a completely new look, like a dream.

This kind of later use in fantasy dramas, mythological dramas and comics will appear ingenious and the effect is excellent, but the fictional setting here shows the abuse of formulas, and the subject type instantly jumps out of thinking, even beyond the imagination.The hole is wide open.

Every time the character pauses, the costume changes and spreads from the costume to the character's body. In that frame, I am really afraid that the next second will be the incarnation of the monster in Journey to the West.

The shaky post-production, costume changes, and recall shots are all too far ahead, and are completely abrupt. The sudden shots make it difficult to fit into the characters and the plot.

The characters have a wide age range, and the middle age and teenage years are played by the same actor. There is insufficient matching, and the male and female protagonists lack a sense of CP, and the emotional line is less consistent, which induces hormonal effects.

Zhang Linghe himself looks mature. He plays the role of middle-aged man with a beard. The character has a full sense of age and fits the role. When he returns to the 20-year-old boy, his appearance looks older, as if he is about to cross over in his twenties.Those who are in their thirties do not look juvenile in appearance.

Zhao Jinmai is just the opposite. She is younger than Zhang Linghe in real age, and her baby face also looks girlish. She still looks seventeen or eighteen years old. The appearance of the older princess in the early stage is not in line with the character. Her clothes are old-fashioned, but that pictureThere is no trace of being in his thirties on his face.

Returning to the second life when she was 18 years old, her appearance and quirky personality seemed to be a tailor-made age for her character.

Zhao Jinmai's appearance is more realistic with the character's quarrelsome setting, while Zhang Linghe's looks are a little more deliberate, with a mature face that goes against the childish expressions and movements.

Due to the age gap and appearance, Zhao Jinmai and Zhang Linghe's drama lacked a sense of intimacy. The scenes where they were having fun and bickering in the same frame were more like the daily bickering between siblings, and the couple lacked compatibility.

One looks older, the other looks younger, and even the cute height difference doesn't have the effect of adding sugar to idol dramas.

There are many types of costume dramas, but not all shoddy plots will break the circle. If it is exciting enough, it will be popular if it is broadcast. - Mo Yuyunjian - is a typical example.

If it is full of loopholes and does not meet the current audience's taste, it will probably end up being an unknown hit like "Fox Demon Matchmaker Yue Hong".

《The Princess Royal》8 episodes of hits, but the popularity cannot keep up, the reputation is not ideal, and it is difficult to rise. I wonder if the reputation can be reversed in the subsequent plot?

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