Song Jia recalled her visit to Zhang Guimei: Feitian and Starlight winners talked about the details of their roles and lives

 Song Jia spoke a few words in Heilongjiang dialect while reading the script - "When the Mountain Flowers Are Blooming".She and Zhang Guimei are from the same hometown, and the director felt that these sentences fit the characters very well.Later, when she went to Huaping, Yunnan, and met Zhang Guimei, she gained a deeper understanding of this character: in addition to the dialect, lines and actions, she also needed to understand how this person faces life.

After winning the Outstanding Actress Award at this year's Feitian Awards for her play, Song Jia talked about this meeting at the winners' symposium.Zhang Guimei is sad and irritable sometimes, but her heart is still full, positive and happy.Song Jia remembered her words: “In the midst of sadness there is happiness, in the midst of happiness there is struggle, and in the midst of struggle there are tears. Isn't that what human life is like?”These feelings brought her new performance inspiration.

This autumn, TV drama and TV literary and artistic workers received the Feitian Award and Starlight Award in Yantai, Shandong Province.The narration at the symposium extended from the moment of meeting the character prototype to the family life of the historical drama, the shooting scene of the explosion scene, and the sounds heard when the animation team visited the campus.

《Silent Glory》won the Outstanding TV Drama Award at this year's Feitian Awards.Wu Shi, Zhu Feng, Nie Xi, and Chen Baocang died in Racecourse Town, Taipei in 1950. The audience knows the final fate of the characters at the beginning.The creative team had to face this problem from the beginning of the project: how to make the story continue to attract the audience when the ending is already known?

Chief Producer Ma Zhongjun said that the team follows the principle of keeping all important things true and not trivial matters, respects the historical trend and the fate of the characters, and at the same time makes reasonable artistic treatment of family life.Wu Shi couldn't let go of his family, and Zhu Feng missed his children far away.Under the close surveillance of secret agents, they have fears, worries, and regrets.The creators try to restore these situations and make sacrifices fall on specific life choices.

The most unforgettable thing about Wang Renjun is a charge and explosion scene.

He won the Feitian Award for Outstanding Actor for "Blood and Glory".When filming that scene, he ran past the predetermined explosion point, and a soil bomb exploded on the side of his face. His ears buzzed, and his mouth was filled with mud and gunpowder residue. His vision went dark for a few seconds, and he could only move forward based on his feelings.At that moment, he thought that when his ancestors went to the battlefield, they faced real bullets and explosions, and they might not be able to get up again if they fell.

“The roots of an actor must always be rooted in the character and in real life.”Wang Renjun used this sentence to explain his understanding of performance.

The fifth season of Tea No. 2 Middle School, which won this year's Starlight Award, also brought details from life into its creations.The title of the film is taken from the ancient place name "Cha Ah Chong" in Changchun, and many of the stories come from the creator's middle school memories.However, the team still walked into today's campus, listened to the conversations in the classroom, observed the laughter and laughter between classes, and felt the contradictions and warmth when teachers and students get along.

Zhang Hong, a representative of the creative staff, said that the laughter, confusion and growth of youth slowly precipitated into the characters and stories in the script.This campus animation with the flavor of Northeastern life reminds audiences from different regions and ages of their own student days.

Liu Jiacheng's works range from - Love in the Siheyuan - Under the Zhengyang Gate - to - Life of All Things - Sea and Sky Eagle -.After winning the Feitian Award for Outstanding Director this year, he still puts “sincerity, true feelings, and true life” as the starting point of his creation.Faced with a market where short videos and mini-series divert audiences, TV dramas need to use complete character growth, contemporary texture and gradually accumulated emotions to retain the audience.

Liu Jiacheng said that there are many dramas for the audience to watch, but what is scarce are those that are authentic, credible, warm and deep, can touch people's hearts and can stand the test of time.He believes that works that sincerely depict the fate of ordinary people will be remembered by audiences and the industry.

The documentary team - Victory - will look for a new narrative space based on the existing video works on the history of the Anti-Japanese War.This TV documentary created to commemorate the 80th anniversary of the victory of the Anti-Japanese War won this year's Starlight Award.

Chief director Xiao Tongqing introduced that the team determined the positioning of %world vision, national stance, and current thinking, put China's War of Resistance into the historical context of interaction with the world, and focused on the contribution of the Chinese People's War of Resistance Against Japanese Aggression to the victory of the World Anti-Fascist War.In the creation, we absorb the latest academic achievements and pay attention to historical materials and specific details to further restore history.

《New Folk Song Conference》The second season brings performances to sinkholes, lakesides, countryside, seaports, stations, vegetable markets, campuses and streets.These life scenes become an immersive performance space. The program then rearranges and creates folk songs based on social hot spots and real life cases, arranging complete stories and emotional clues for each performance.

Yinhua, the representative of the program creators, said that folk songs originally grew out of the shouts in the mountains, the humming at the docks, and the antiphonal songs during gatherings, and they sang about daily joys, sorrows, and sorrows.The program brings folk songs back to the scene of life, and also allows these songs to carry today's emotions and meet the current audience.