《Sihai Chongming》first broadcast, there is a problem with the narrative logic

The most recent hit - Sihai Chongming - caused a sensation immediately after it was broadcast, not only attracting the attention of a large number of viewers, but also capturing the hearts of many fans.Among them, regarding the premiere of "Si Hai Chong Ming", the narrative logic problem is undoubtedly the most concerning to everyone recently. Today we will discuss it together.

The TV series - Si Hai Chong Ming - is now online on Mango TV and iQiyi platforms, and viewers can watch the first four episodes.Starring Jing Tian and Zhang Linghe, the play tells a fantasy adventure in a fictional world, intertwined with a passionate story of love and slaying demons.However, although fantasy themes are often regarded as the preference of young audiences, high-quality fantasy dramas should not just stop at being younger, but should be based on solid narrative logic.The first episode of "Shihai Chongming" regrettably showed many obvious flaws in the basic narrative logic, which made people question its overall quality.

At the beginning of the series, a complex fantasy world is constructed, with various sects and factions, good and evil are not mutually exclusive, and dramas of alternating fighting and peace are frequently staged.However, such an opening cannot escape the stereotype of clichés. Fortunately, the play uses a small animal plot to subtly irony this in a self-deprecating way, which seems to indicate that the subsequent plot may have a breakthrough.

However, it is a pity that - Shihai Chongming - failed to really get out of the quagmire of vulgar plot.The following are some particularly prominent narrative logic flaws in the first episode:

First, about the plot design of "Water Tank and Rice Bucket".In the play, a poor character was thrown into a water tank by the heroine due to poisoning. Although he shouted for help, he easily jumped out of the water tank when his brothers rescued him. The weak state he had shown before disappeared instantly. This moveIt obviously goes against common sense and seems logically confusing.

Secondly, the male protagonist’s pretentious behavior.In the process of rescuing the heroine to fight against the devil, the hero initially showed strong fighting power, but then suddenly fell to the ground and fell into a coma. The contrast between before and after was puzzling.If it was really the first time he was in a coma, there should at least be some foreshadowing; if it had been predicted earlier, his behavior would be even more absurd and lack necessary logical support.

Third, the male protagonist’s magical power suddenly changed after he was tied up.The female protagonist tied up the male protagonist to prevent him from escaping, but when the male protagonist woke up, he was unable to break free from the ropes. Until later, he suddenly showed amazing divine power. This kind of random switching of divine power is undoubtedly a contempt for the audience's IQ.

Fourth, the straw mat cover of the poisonous snake basket.In the play, extremely venomous snakes are randomly placed in straw baskets and covered only with straw mats. Such a hasty handling method not only lacks scientific basis, but also shows the screenwriter's carelessness in narrative logic.

To sum up, there are many serious narrative logic flaws in the plot design of the first episode of "Shihai Chung Ming". These problems not only weaken the audience's viewing experience, but also expose the screenwriter and director's basic narrative ability.insufficient.Although fantasy dramas can allow for wild imaginations, basic narrative logic and rationality must not be ignored.From this point of view, "Four Seas Chongming" cannot escape the suspicion of being a bad drama.

It’s worth noting that these narrative flaws are not irredeemable.For example, small tricks such as using heavy stone lids instead of wooden lids and increasing the hesitation of the male protagonist when chasing the devil can effectively improve the rationality and enjoyment of the plot.Unfortunately, Sihai Chongming was unable to make such an adjustment.

The above content is the most complete analysis of the problems in the narrative logic of the premiere of "Si Hai Chong Ming". If you think this article of the editor is helpful to you, please continue to follow us, and the editor will continue to guide you in the future.Come to the latest and most complete plot analysis and character interpretation.